426
References
Guérard, J. and Boutillon, X. (1998). Real-time wave separation in a cylindrical pipe with
applications to reflectometry, echo cancellation, and a hybrid musical instrument. Proc. 16th
International Congress on Acoustics, Seattle, 2261–2262.
Guillemain, P., Kergomard, J. and Voinier, T. (2005). Real-time synthesis of clarinet-like instruments using digital impedance models. J. Acoust. Soc. Am. 118, 483–494, https://doi.org/10.
1121/1.1937507.
Guillemain, P., Vergez, C. and Farcy, A. (2010), An instrumented saxophone mouthpiece and its
use to understand how an experienced musician plays. Acta Acust. united Ac. 96, 622–634,
https://doi.org/10.3813/AAA.918317.
Hall, W. M. (1932). Comments on the theory of horns. J. Acoust. Soc. Am. 3, 552–561, https://doi.
org/10.1121/1.1915578.
Hamilton, M. F. and Blackstock, D. T. (1988). Nonlinear Acoustics. New York, Academic Press.
Harrison, R. (2018). Physical modelling of brass instruments using finite-difference time-domain
methods. Ph.D. thesis, University of Edinburgh.
Harrison, R., Bilbao, S., and Perry, J. (2015). An algorithm for a valved brass instrument synthesis
environment using finite-difference time-domain methods with performance optimisation.
Proc. 18th International Conference on Digital Audio Effects, Trondheim, Norway.
Harrison, R., Bilbao, S., Perry, J. and Wishart, T. (2016). An environment for physical modeling of
articulated brass instruments. Comput. Music J. 39, 80–95.
Hartmann, W. M. (2004). Signals, Sound, and Sensation, 5th corr. printing. New York, Springer.
Hartmann, W. M. (2013). Principles of Musical Acoustics. New York, Springer.
Haynes, B. (2002). A History of Performing Pitch: the Story of ‘A’. Lanham, Scarecrow Press.
Helmholtz, H. L. F. (1877). Die Lehre von den Tonempfingungen, 4th Ed. Braunschweig, Friedrich
Vieweg. English translation with additional material: Ellis, A. J. On the Sensations of Tone,
2nd Ed. London, Longman, Green and Co. (1885); repr. New York, Dover (1954)
Hélie, T. and Rodet, X. (2003). Radiation of a pulsating portion of a sphere: application to horn
radiation. Acta Acust. united Ac. 89, 565–577.
Henrich, N., Smith, J. and Wolfe, J. (2011), Vocal tract resonances in singing: Strategies used by
sopranos, altos, tenors, and baritones. J. Acoust. Soc. Am. 129(2), 1024–1035, https://doi.org/
10.1121/1.3518766.
Hendrie, D. (2007). Development of bore reconstruction technique applied to the study of brass
wind instruments. Ph.D. thesis, University of Edinburgh.
Herbert, T. (1997). Brass bands and other vernacular brass traditions. In T. Herbert and J. Wallace
(Eds.): The Cambridge Companion to Brass Instruments. Cambridge University Press.
Herbert, T., Myers. A., and Wallace, J. (Eds.). (2019). The Cambridge Encyclopedia of Brass
Instruments. Cambridge University Press.
Hézard, T., Fréour, V., Caussé, R., Hélie, T, and Scavone, G. (2014). Synchronous multimodal
measurements on lips and glottis: comparison between two human-valve oscillating systems.
Acta Acust. united Ac. 100, 1172–1185, https://doi.org/10.3813/AAA.918796.
Hirschberg, A., Van de Laar, R. W. A., Marrou-Maurières, J. P., Wijnands, A. P. J., Dane, J. H.,
Kruijswijk, S. G. and Houtsma, A. J. M. (1990). A quasi-stationary model of air flow in the
reed channel of single-reed woodwind instruments. Acustica 70, 146–154.
Hirschberg, A., Kergomard, J., and Weinreich, G. (Eds.). (1995). Mechanics of musical instruments. New York, Springer.
Hirschberg, A., Pelorson, X. and Gilbert, J. (1996a). Aeroacoustics of Musical Instruments.
Meccanica 31, 131–141.
Hirschberg, A., Gilbert, J., Msallam, R. and Wijnands, A. P. J. (1996b). Shock waves in trombones.
J. Acoust. Soc. Am. 99, 1754–1758, https://doi.org/10.1121/1.414698.
Hoekje, P. (1986). Intercomponent energy exchange and upstream/downstream symmetry in
nonlinear self-sustained oscillations of reed instruments. Ph.D. thesis, Case Western Reserve
University.
Hoekje, P. (2003). Dayton C. Miller. Echoes 13(1), 1–7.
Holmes, P. J. (1977). Bifurcations to divergence in flow induced oscillations: finite dimensional
analysis. J. Sound Vib. 53, 471–503.
References
Guérard, J. and Boutillon, X. (1998). Real-time wave separation in a cylindrical pipe with
applications to reflectometry, echo cancellation, and a hybrid musical instrument. Proc. 16th
International Congress on Acoustics, Seattle, 2261–2262.
Guillemain, P., Kergomard, J. and Voinier, T. (2005). Real-time synthesis of clarinet-like instruments using digital impedance models. J. Acoust. Soc. Am. 118, 483–494, https://doi.org/10.
1121/1.1937507.
Guillemain, P., Vergez, C. and Farcy, A. (2010), An instrumented saxophone mouthpiece and its
use to understand how an experienced musician plays. Acta Acust. united Ac. 96, 622–634,
https://doi.org/10.3813/AAA.918317.
Hall, W. M. (1932). Comments on the theory of horns. J. Acoust. Soc. Am. 3, 552–561, https://doi.
org/10.1121/1.1915578.
Hamilton, M. F. and Blackstock, D. T. (1988). Nonlinear Acoustics. New York, Academic Press.
Harrison, R. (2018). Physical modelling of brass instruments using finite-difference time-domain
methods. Ph.D. thesis, University of Edinburgh.
Harrison, R., Bilbao, S., and Perry, J. (2015). An algorithm for a valved brass instrument synthesis
environment using finite-difference time-domain methods with performance optimisation.
Proc. 18th International Conference on Digital Audio Effects, Trondheim, Norway.
Harrison, R., Bilbao, S., Perry, J. and Wishart, T. (2016). An environment for physical modeling of
articulated brass instruments. Comput. Music J. 39, 80–95.
Hartmann, W. M. (2004). Signals, Sound, and Sensation, 5th corr. printing. New York, Springer.
Hartmann, W. M. (2013). Principles of Musical Acoustics. New York, Springer.
Haynes, B. (2002). A History of Performing Pitch: the Story of ‘A’. Lanham, Scarecrow Press.
Helmholtz, H. L. F. (1877). Die Lehre von den Tonempfingungen, 4th Ed. Braunschweig, Friedrich
Vieweg. English translation with additional material: Ellis, A. J. On the Sensations of Tone,
2nd Ed. London, Longman, Green and Co. (1885); repr. New York, Dover (1954)
Hélie, T. and Rodet, X. (2003). Radiation of a pulsating portion of a sphere: application to horn
radiation. Acta Acust. united Ac. 89, 565–577.
Henrich, N., Smith, J. and Wolfe, J. (2011), Vocal tract resonances in singing: Strategies used by
sopranos, altos, tenors, and baritones. J. Acoust. Soc. Am. 129(2), 1024–1035, https://doi.org/
10.1121/1.3518766.
Hendrie, D. (2007). Development of bore reconstruction technique applied to the study of brass
wind instruments. Ph.D. thesis, University of Edinburgh.
Herbert, T. (1997). Brass bands and other vernacular brass traditions. In T. Herbert and J. Wallace
(Eds.): The Cambridge Companion to Brass Instruments. Cambridge University Press.
Herbert, T., Myers. A., and Wallace, J. (Eds.). (2019). The Cambridge Encyclopedia of Brass
Instruments. Cambridge University Press.
Hézard, T., Fréour, V., Caussé, R., Hélie, T, and Scavone, G. (2014). Synchronous multimodal
measurements on lips and glottis: comparison between two human-valve oscillating systems.
Acta Acust. united Ac. 100, 1172–1185, https://doi.org/10.3813/AAA.918796.
Hirschberg, A., Van de Laar, R. W. A., Marrou-Maurières, J. P., Wijnands, A. P. J., Dane, J. H.,
Kruijswijk, S. G. and Houtsma, A. J. M. (1990). A quasi-stationary model of air flow in the
reed channel of single-reed woodwind instruments. Acustica 70, 146–154.
Hirschberg, A., Kergomard, J., and Weinreich, G. (Eds.). (1995). Mechanics of musical instruments. New York, Springer.
Hirschberg, A., Pelorson, X. and Gilbert, J. (1996a). Aeroacoustics of Musical Instruments.
Meccanica 31, 131–141.
Hirschberg, A., Gilbert, J., Msallam, R. and Wijnands, A. P. J. (1996b). Shock waves in trombones.
J. Acoust. Soc. Am. 99, 1754–1758, https://doi.org/10.1121/1.414698.
Hoekje, P. (1986). Intercomponent energy exchange and upstream/downstream symmetry in
nonlinear self-sustained oscillations of reed instruments. Ph.D. thesis, Case Western Reserve
University.
Hoekje, P. (2003). Dayton C. Miller. Echoes 13(1), 1–7.
Holmes, P. J. (1977). Bifurcations to divergence in flow induced oscillations: finite dimensional
analysis. J. Sound Vib. 53, 471–503.