References
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Gibiat, V. (1988). Phase space representations of musical acoustical signals. J. Sound Vib. 123,
529–536.
Gibiat, V. and Castellengo, M. (2000). Period doubling occurences in wind instruments musical
performance. Acta Acust. united Ac. 86, 746–754.
Gibiat, V. and Laloë, F. (1990). Acoustical impedance measurements by the two-microphone-threecalibration (TMTC) method. J. Acoust. Soc. Am. 88, 2534–2545, https://doi.org/10.1121/1.
399975.
Gibiat, V. and Padilla, A. (2005). The ‘trumpet marine’, an instrument between a trumpet and a
violin. Proc. 4th Forum Acusticum, Budapest.
Gilbert, J. and Petiot, J. F. (1997). Brass instruments: some theoretical and experimental results.
Proc. International Symposium on Musical Acoustics, Edinburgh, UK: in Proc. Ins. Ac. 19(5),
391–400.
Gilbert, J., Kergomard, J. and Ngoya, E. (1989). Calculation of the steady-state oscillations of a
clarinet using the harmonic balance technique. J. Acoust. Soc. Am. 86, 35–41, https://doi.org/
10.1121/1.398352.
Gilbert, J., Ponthus, S. and Petiot, J. F. (1998). Artificial buzzing lips and brass instruments:
experimental results. J. Acoust. Soc. Am. 104, 1627–1632. https://doi.org/10.1121/1.424375.
Gilbert, J., Simon, L. and Terroir, J. (2005). Vibrato of saxophones. J. Acoust. Soc. Am. 118,
2649–2655, https://doi.org/10.1121/1.2036027.
Gilbert, J., Leboso Ruiz, L. M. and Gougeon, S. (2006). Influence de la température sur la justesse
d’un instrument à vent. Proc. 8ème Congrès Français d’Acoustique (CFA2006), Tours, France.
Gilbert, J., Campbell, D., Myers. A. and Pyle, R. (2007). Difference between brass instruments
arising from variations in brassiness due to non-linear propagation. Proc. International Symposium on Musical Acoustics (ISMA), Barcelona.
Gilbert, J., Menguy, L. and Campbell, D. (2008). A simulation tool for brassiness studies. J. Acoust.
Soc. Am. 123, 1854–1857, https://doi.org/10.1121/1.2872342.
Gilbert, J., Libouban, L. and Dalmont, J. P. (2010). La clarinette cuivre-t-elle? Pertinence de la prise
en compte des phénomènes de propagation non-linéaires pour la modélisation de la clarinette.
Proc. 10ème Congrès Français d’Acoustique (CFA2010), Lyon, France.
Gilbert, J., Brasseur, E., Dalmont, J. P. and Maniquet, C. (2012). Acoustical evaluation of the
Carnyx of Tintignac. Proc. Acoustics2012, 3955–3959, Nantes, France.
Gilbert, J., Dalmont, J. P., Potier, R. and Reby, D. (2014). Is nonlinear propagation responsible for
the brassiness of the elephant trumpet calls? Acta Acust. united Ac 100, 734–738, https://doi.
org/10.3813/AAA.918752.
Gilbert, J., Leblanc, L. and Vergez, C. (2018). L’analyse de stabilité linéaire pour évaluer la facilité
d’émission des cuivres. Etude comparative de trombones ténor et basse. Proc. 14 e Congrès
Français d’Acoustique, Le Havre, France.
Gilbert, J., Maugeais, S. and Vergez, C. (2020). Minimal blowing pressure allowing periodic
oscillations in a simplified reed musical instrument model: Bouasse-Benade prescription
assessed through numerical continuation. Acta Acustica 4, 27, https://doi.org/10.1051/aacus/
2020026.
Giordano, N. (2017). Lip dynamics in a physical model of the trumpet. Proc. International
Symposium on Musical Acoustics, Montreal, Canada, 101–104.
Gray, C. D. (2005) Acoustic pulse reflectometry for the measurement of the vocal tract, with
application to voice synthesis. Ph.D. thesis University of Edinburgh.
Grey, J. M. and Moorer, J. A. (1977). Perceptual evaluation of synthesised musical instrument
tones. J. Acoust. Soc. Am. 61, 1270–1277, https://doi.org/10.1121/1.381508.
Griffin, S., Lane, S. A. and Clark, R. L. (2003). The application of smart structures toward feedback
suppression in amplified acoustic guitars. J. Acoust. Soc. Am. 113(6), 3188–3196, https://doi.
org/10.1121/1.1562649.
Guckenheimer, J. and Holmes, P. (1983). Nonlinear oscillations, dynamical systems, and bifurcations systems, and bifurcations of vector fields. New York, Springer.
Guérard, J. (1998). Modelisation numerique et simulation experimentale de systemes acoustique.
Application aux instruments de musique. Ph.D. thesis, Université Paris 6.
425
Gibiat, V. (1988). Phase space representations of musical acoustical signals. J. Sound Vib. 123,
529–536.
Gibiat, V. and Castellengo, M. (2000). Period doubling occurences in wind instruments musical
performance. Acta Acust. united Ac. 86, 746–754.
Gibiat, V. and Laloë, F. (1990). Acoustical impedance measurements by the two-microphone-threecalibration (TMTC) method. J. Acoust. Soc. Am. 88, 2534–2545, https://doi.org/10.1121/1.
399975.
Gibiat, V. and Padilla, A. (2005). The ‘trumpet marine’, an instrument between a trumpet and a
violin. Proc. 4th Forum Acusticum, Budapest.
Gilbert, J. and Petiot, J. F. (1997). Brass instruments: some theoretical and experimental results.
Proc. International Symposium on Musical Acoustics, Edinburgh, UK: in Proc. Ins. Ac. 19(5),
391–400.
Gilbert, J., Kergomard, J. and Ngoya, E. (1989). Calculation of the steady-state oscillations of a
clarinet using the harmonic balance technique. J. Acoust. Soc. Am. 86, 35–41, https://doi.org/
10.1121/1.398352.
Gilbert, J., Ponthus, S. and Petiot, J. F. (1998). Artificial buzzing lips and brass instruments:
experimental results. J. Acoust. Soc. Am. 104, 1627–1632. https://doi.org/10.1121/1.424375.
Gilbert, J., Simon, L. and Terroir, J. (2005). Vibrato of saxophones. J. Acoust. Soc. Am. 118,
2649–2655, https://doi.org/10.1121/1.2036027.
Gilbert, J., Leboso Ruiz, L. M. and Gougeon, S. (2006). Influence de la température sur la justesse
d’un instrument à vent. Proc. 8ème Congrès Français d’Acoustique (CFA2006), Tours, France.
Gilbert, J., Campbell, D., Myers. A. and Pyle, R. (2007). Difference between brass instruments
arising from variations in brassiness due to non-linear propagation. Proc. International Symposium on Musical Acoustics (ISMA), Barcelona.
Gilbert, J., Menguy, L. and Campbell, D. (2008). A simulation tool for brassiness studies. J. Acoust.
Soc. Am. 123, 1854–1857, https://doi.org/10.1121/1.2872342.
Gilbert, J., Libouban, L. and Dalmont, J. P. (2010). La clarinette cuivre-t-elle? Pertinence de la prise
en compte des phénomènes de propagation non-linéaires pour la modélisation de la clarinette.
Proc. 10ème Congrès Français d’Acoustique (CFA2010), Lyon, France.
Gilbert, J., Brasseur, E., Dalmont, J. P. and Maniquet, C. (2012). Acoustical evaluation of the
Carnyx of Tintignac. Proc. Acoustics2012, 3955–3959, Nantes, France.
Gilbert, J., Dalmont, J. P., Potier, R. and Reby, D. (2014). Is nonlinear propagation responsible for
the brassiness of the elephant trumpet calls? Acta Acust. united Ac 100, 734–738, https://doi.
org/10.3813/AAA.918752.
Gilbert, J., Leblanc, L. and Vergez, C. (2018). L’analyse de stabilité linéaire pour évaluer la facilité
d’émission des cuivres. Etude comparative de trombones ténor et basse. Proc. 14 e Congrès
Français d’Acoustique, Le Havre, France.
Gilbert, J., Maugeais, S. and Vergez, C. (2020). Minimal blowing pressure allowing periodic
oscillations in a simplified reed musical instrument model: Bouasse-Benade prescription
assessed through numerical continuation. Acta Acustica 4, 27, https://doi.org/10.1051/aacus/
2020026.
Giordano, N. (2017). Lip dynamics in a physical model of the trumpet. Proc. International
Symposium on Musical Acoustics, Montreal, Canada, 101–104.
Gray, C. D. (2005) Acoustic pulse reflectometry for the measurement of the vocal tract, with
application to voice synthesis. Ph.D. thesis University of Edinburgh.
Grey, J. M. and Moorer, J. A. (1977). Perceptual evaluation of synthesised musical instrument
tones. J. Acoust. Soc. Am. 61, 1270–1277, https://doi.org/10.1121/1.381508.
Griffin, S., Lane, S. A. and Clark, R. L. (2003). The application of smart structures toward feedback
suppression in amplified acoustic guitars. J. Acoust. Soc. Am. 113(6), 3188–3196, https://doi.
org/10.1121/1.1562649.
Guckenheimer, J. and Holmes, P. (1983). Nonlinear oscillations, dynamical systems, and bifurcations systems, and bifurcations of vector fields. New York, Springer.
Guérard, J. (1998). Modelisation numerique et simulation experimentale de systemes acoustique.
Application aux instruments de musique. Ph.D. thesis, Université Paris 6.