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Hostiou, V. (2005). Contribution of acoustic in playing early instruments in agreement with
historical usage: the serpent as example. Proc. Forum Acusticum, Budapest, 399–403.
Hunter, F. (2019). The carnyx in Iron Age Europe: the Deskford carnyx in its European context.
Monographien Band 146, Vols. 1 and 2. Mainz, Römisch-Germanisches Centralmuseum.
Iltis, P. W., Schoonderwaldt, E., Zhang, S., Frahm, J. and Altenmüller, E. (2015). Real-time MRI
comparisons of brass players: A methodological pilot study. Hum. Movement Sci. 42, 132–135.
Impett, J. (1994). A meta-trumpet(er). Proc. International Computer Music Conference, Aarhus,
Denmark, 147–150.
Impett, J. (1996). Projection and interactivity of musical structures in Mirror-Rite. Organ. Sound
1(3), 203–211.
Ishizaka, K. and Flanagan, J. (1972). Synthesis of voiced sounds from a two-mass model of the
vocal cords. Bell Syst. Tech. J. 51, 1233–1268.
Jansson, E. V. and Benade, A. H. (1974). On plane and spherical waves in horns with non-uniform
flare: II. Prediction and measurements of resonance frequencies and radiation losses. Acustica
31, 185–202.
Jenkins, L., Page, W., Trail, S., Tzanetakis, G. and Driessen, P. (2013). An easily removable,
wireless optical sensing system (EROSS) for the trumpet. Proc. International Conference New
Interfaces for Musical Expression (NIME), 352–357.
Kaburagi, T., Yamada, N., Fukui, T. and Minamiya. E. (2011). A methodological and preliminary
study on the acoustic effect of a trumpet player’s vocal tract. J. Acoust. Soc. Am. 130, 536–545,
https://doi.org/10.1121/1.3596471.
Karkar, S., Cochelin, B. and Vergez, C. (2013). A high-order, purely frequency based harmonic
balance formulation for continuation of periodic solutions: The case of non-polynomial
nonlinearities. J. Sound Vib. 332, 968–977.
Kausel, W. (2001). Optimization of brasswind instruments and its application in bore reconstruction. J. New Music Res. 30, 69–82.
Kausel, W., Mayer, A. and Nachtmann, G. (2008). More experimental evidence favouring the
hypothesis of significant wall vibration influence on radiated horn sound. J. Acoust. Soc. Am.
123, 3120, https://doi.org/10.1121/1.2933036.
Kausel, W., Zietlow, D. W. and Moore, T. R. (2010). Influence of wall vibrations on the sound
of brass wind instruments. J. Acoust. Soc. Am. 128, 3161–3174, https://doi.org/10.1121/1.
3493457.
Kausel, W., Chatziioannou, V., Moore, T. R., Gorman, B. R. and Rokni, M. (2015). Axial vibrations
of brass wind instrument bells and their acoustical influence: Theory and simulations. J. Acoust.
Soc. Am. 137, 3149–3162, https://doi.org/10.1121/1.4921270.
Keefe, D. H. (1982). Experiments on the single woodwind tone hole. J. Acoust. Soc. Am. 72,
688–699, https://doi.org/10.1121/1.388249.
Keefe, D. H. (1984). Acoustical wave propagation in cylindrical ducts: Transmission line parameter
approximations for isothermal and nonisothermal boundary conditions. J. Acoust. Soc. Am. 75,
58–62, https://doi.org/10.1121/1.390300.
Keefe, D. H. (1990). Woodwind air column models. J. Acoust. Soc. Am. 88, 35–51, https://doi.
org/10.1121/1.399911.
Kelly, K. (1998). The dynamics of breathing. The Instrumentalist, December issue.
Kemp, J. A. (2002). Theoretical and experimental study of wave propagation in brass musical
instruments. Ph.D. thesis, University of Edinburgh.
Kemp, J. A., van Walstijn, M., Campbell, D. M., Chick, J. P. and Smith, R. A. (2010). Time
domain wave separation using multiple microphones. J. Acoust. Soc. Am. 128, 195–205,
10.1121/1.3392441.
Kemp, J., López-Carromero, A. and Campbell, M. (2017). Pressure fields in the vicinity of brass
musical instrument bells measured using a two dimensional grid array and comparison with
multimodal models. Proc. 24th International Congress on Sound and Vibration, London.
Kent, E. L. (1956). The Inside Story of Brass Instruments. Elkhart, C. G. Conn Ltd.
427
Hostiou, V. (2005). Contribution of acoustic in playing early instruments in agreement with
historical usage: the serpent as example. Proc. Forum Acusticum, Budapest, 399–403.
Hunter, F. (2019). The carnyx in Iron Age Europe: the Deskford carnyx in its European context.
Monographien Band 146, Vols. 1 and 2. Mainz, Römisch-Germanisches Centralmuseum.
Iltis, P. W., Schoonderwaldt, E., Zhang, S., Frahm, J. and Altenmüller, E. (2015). Real-time MRI
comparisons of brass players: A methodological pilot study. Hum. Movement Sci. 42, 132–135.
Impett, J. (1994). A meta-trumpet(er). Proc. International Computer Music Conference, Aarhus,
Denmark, 147–150.
Impett, J. (1996). Projection and interactivity of musical structures in Mirror-Rite. Organ. Sound
1(3), 203–211.
Ishizaka, K. and Flanagan, J. (1972). Synthesis of voiced sounds from a two-mass model of the
vocal cords. Bell Syst. Tech. J. 51, 1233–1268.
Jansson, E. V. and Benade, A. H. (1974). On plane and spherical waves in horns with non-uniform
flare: II. Prediction and measurements of resonance frequencies and radiation losses. Acustica
31, 185–202.
Jenkins, L., Page, W., Trail, S., Tzanetakis, G. and Driessen, P. (2013). An easily removable,
wireless optical sensing system (EROSS) for the trumpet. Proc. International Conference New
Interfaces for Musical Expression (NIME), 352–357.
Kaburagi, T., Yamada, N., Fukui, T. and Minamiya. E. (2011). A methodological and preliminary
study on the acoustic effect of a trumpet player’s vocal tract. J. Acoust. Soc. Am. 130, 536–545,
https://doi.org/10.1121/1.3596471.
Karkar, S., Cochelin, B. and Vergez, C. (2013). A high-order, purely frequency based harmonic
balance formulation for continuation of periodic solutions: The case of non-polynomial
nonlinearities. J. Sound Vib. 332, 968–977.
Kausel, W. (2001). Optimization of brasswind instruments and its application in bore reconstruction. J. New Music Res. 30, 69–82.
Kausel, W., Mayer, A. and Nachtmann, G. (2008). More experimental evidence favouring the
hypothesis of significant wall vibration influence on radiated horn sound. J. Acoust. Soc. Am.
123, 3120, https://doi.org/10.1121/1.2933036.
Kausel, W., Zietlow, D. W. and Moore, T. R. (2010). Influence of wall vibrations on the sound
of brass wind instruments. J. Acoust. Soc. Am. 128, 3161–3174, https://doi.org/10.1121/1.
3493457.
Kausel, W., Chatziioannou, V., Moore, T. R., Gorman, B. R. and Rokni, M. (2015). Axial vibrations
of brass wind instrument bells and their acoustical influence: Theory and simulations. J. Acoust.
Soc. Am. 137, 3149–3162, https://doi.org/10.1121/1.4921270.
Keefe, D. H. (1982). Experiments on the single woodwind tone hole. J. Acoust. Soc. Am. 72,
688–699, https://doi.org/10.1121/1.388249.
Keefe, D. H. (1984). Acoustical wave propagation in cylindrical ducts: Transmission line parameter
approximations for isothermal and nonisothermal boundary conditions. J. Acoust. Soc. Am. 75,
58–62, https://doi.org/10.1121/1.390300.
Keefe, D. H. (1990). Woodwind air column models. J. Acoust. Soc. Am. 88, 35–51, https://doi.
org/10.1121/1.399911.
Kelly, K. (1998). The dynamics of breathing. The Instrumentalist, December issue.
Kemp, J. A. (2002). Theoretical and experimental study of wave propagation in brass musical
instruments. Ph.D. thesis, University of Edinburgh.
Kemp, J. A., van Walstijn, M., Campbell, D. M., Chick, J. P. and Smith, R. A. (2010). Time
domain wave separation using multiple microphones. J. Acoust. Soc. Am. 128, 195–205,
10.1121/1.3392441.
Kemp, J., López-Carromero, A. and Campbell, M. (2017). Pressure fields in the vicinity of brass
musical instrument bells measured using a two dimensional grid array and comparison with
multimodal models. Proc. 24th International Congress on Sound and Vibration, London.
Kent, E. L. (1956). The Inside Story of Brass Instruments. Elkhart, C. G. Conn Ltd.