422
References
Campbell, D., Chick, J., Gilbert, J., Kemp, J., Myers, A. and Newton, M. (2014b). Spectral enrichment in brass instruments due to nonlinear sound propagation: a comparison of measurements
and predictions. Proc. International Symposium on Musical Acoustics, Le Mans, France.
Campbell, D. M., Gilbert, J. and Holmes, P. (2017). Seeking the sound of ancient horns. J. Acoust.
Soc. Am. 141, 3935, https://doi.org/10.1121/1.4988906.
Campbell, D. M., Gilbert, J. and Myers, A. (2020). Brassiness and the understanding of brass
instruments. Proc. e-Forum Acusticum, Lyon.
Carse, A. (1939). Musical Wind Instruments. London, Macmillan.
Carter, S. (2012). The Trombone in the Renaissance. Hillsdale, Pendragon.
Carter, S. (2019). Trombone. In The Cambridge Encyclopedia of Brass Instruments, eds. Herbert, T., Myers, A. and Wallace, J. Cambridge University Press.
Castellengo, M. (1981). Sons multiphoniques aux instruments à vent (multiphonic sounds on
woodwind instruments). Paris, Rapports de l’IRCAM.
Caussé, R., Kergomard, J. and X. Lurton (1984). Input impedance of brass musical instruments—
Comparison between experiment and numerical models. J. Acoust. Soc. Am. 75, 241–254,
https://doi.org/10.1121/1.390402.
Caussé, R., Eveno, P., Gilbert, J. and Petiot, J. F. (2013). What can we deduce from measured
resonance frequencies of trumpets concerning their playing frequencies? Proc. Mtgs. Acoust.
19, 035066.
Chang, Y. M. (1994). Reed stability. J. Fluid. Struct. 8, 771–783.
Chaigne. A. and Kergomard, J. (2016). Acoustics of Musical Instruments. New York, Springer.
Chen, F. C. and Weinreich, G. (1996) Nature of the lip reed. J. Acoust. Soc. Am. 99, 1227–1233,
https://doi.org/10.1121/1.414604.
Chen, J. M., Smith, J. and Wolfe, J. (2008). Experienced saxophonists learn to tune their vocal
tracts. Science 319, 776.
Chen, J. M., Smith, J. and Wolfe, J. (2012). Do trumpet players tune resonances of the vocal tract?
J. Acoust. Soc. Am. 131(1), 722–727, https://doi.org/10.1121/1.3651241.
Chick, J. P., Logie, S. M., Campbell, M. and Gilbert, J. (2012). Spectral enrichment and wall losses
in trombones played at high dynamic levels. Proc. Acoustics 12 Nantes, France, 2783–2788.
Chung, J. Y. and Blaser, D. A. (1980). Transfer function method of measuring in-duct acoustic
properties. I: Theory. II: Experiment. J. Acoust. Soc. Am. 68, 907–921, https://doi.org/10.1121/
1.385211.
Clinch, P. G., Troup, G. J. and Harris, L. (1982). The importance of vocal tract resonance in clarinet
and saxophone performance—a preliminary account. Acustica 50, 280–284.
Cochelin, B. and Vergez, C. (2009). A high-order purely frequency-based harmonic balance
formulation for continuation of periodic solutions. J. Sound Vib. 324, 243–262.
Collver, M. and Dickey, B. (1996). A Catalog of Music for the Cornett. Bloomington, Indiana
University Press.
Cook, P. R. (2001). Principles for designing computer music controllers. Proc. International
Conference New Interfaces for Musical Expression (NIME), 1–4.
Cook, P. R., Abel, J. S., Kolar, M. A., Huang, P., Huopaniemi, J., Rick, J. W., Chafe, C. and
Chowning, J. M. (2010). Acoustic analysis of the Chavín pututus (Strombus galeatus marine
shell trumpets). J. Acoust. Soc. Am. 128, 2359, https://doi.org/10.1121/1.3508370.
Copley, D. C. and Strong, W. J. (1996). A stroboscopic study of lip vibrations in a trombone. J.
Acoust. Soc. Am. 99, 1219–1226, https://doi.org/10.1121/1.414603.
Cullen, J. S. (2000). A study of brass instrument acoustics using an artificial lip reed mechanism,
laser Doppler anemometry and other techniques. Ph.D. thesis, University of Edinburgh.
Cullen, J., Gilbert, J. and Campbell, D. M. (2000). Brass instruments: linear stability analysis and
experiments with an artificial mouth. Acta Acust united Ac 86, 704–724.
Dalmont, J. P. (2001). Acoustic impedance measurement, Part I: a review. J. Sound. Vib. 243,
427–439.
Dalmont, J. P. (2001) Acoustic impedance measurement, Part II: a new calibration method. J.
Sound. Vib. 243, 441–459.
References
Campbell, D., Chick, J., Gilbert, J., Kemp, J., Myers, A. and Newton, M. (2014b). Spectral enrichment in brass instruments due to nonlinear sound propagation: a comparison of measurements
and predictions. Proc. International Symposium on Musical Acoustics, Le Mans, France.
Campbell, D. M., Gilbert, J. and Holmes, P. (2017). Seeking the sound of ancient horns. J. Acoust.
Soc. Am. 141, 3935, https://doi.org/10.1121/1.4988906.
Campbell, D. M., Gilbert, J. and Myers, A. (2020). Brassiness and the understanding of brass
instruments. Proc. e-Forum Acusticum, Lyon.
Carse, A. (1939). Musical Wind Instruments. London, Macmillan.
Carter, S. (2012). The Trombone in the Renaissance. Hillsdale, Pendragon.
Carter, S. (2019). Trombone. In The Cambridge Encyclopedia of Brass Instruments, eds. Herbert, T., Myers, A. and Wallace, J. Cambridge University Press.
Castellengo, M. (1981). Sons multiphoniques aux instruments à vent (multiphonic sounds on
woodwind instruments). Paris, Rapports de l’IRCAM.
Caussé, R., Kergomard, J. and X. Lurton (1984). Input impedance of brass musical instruments—
Comparison between experiment and numerical models. J. Acoust. Soc. Am. 75, 241–254,
https://doi.org/10.1121/1.390402.
Caussé, R., Eveno, P., Gilbert, J. and Petiot, J. F. (2013). What can we deduce from measured
resonance frequencies of trumpets concerning their playing frequencies? Proc. Mtgs. Acoust.
19, 035066.
Chang, Y. M. (1994). Reed stability. J. Fluid. Struct. 8, 771–783.
Chaigne. A. and Kergomard, J. (2016). Acoustics of Musical Instruments. New York, Springer.
Chen, F. C. and Weinreich, G. (1996) Nature of the lip reed. J. Acoust. Soc. Am. 99, 1227–1233,
https://doi.org/10.1121/1.414604.
Chen, J. M., Smith, J. and Wolfe, J. (2008). Experienced saxophonists learn to tune their vocal
tracts. Science 319, 776.
Chen, J. M., Smith, J. and Wolfe, J. (2012). Do trumpet players tune resonances of the vocal tract?
J. Acoust. Soc. Am. 131(1), 722–727, https://doi.org/10.1121/1.3651241.
Chick, J. P., Logie, S. M., Campbell, M. and Gilbert, J. (2012). Spectral enrichment and wall losses
in trombones played at high dynamic levels. Proc. Acoustics 12 Nantes, France, 2783–2788.
Chung, J. Y. and Blaser, D. A. (1980). Transfer function method of measuring in-duct acoustic
properties. I: Theory. II: Experiment. J. Acoust. Soc. Am. 68, 907–921, https://doi.org/10.1121/
1.385211.
Clinch, P. G., Troup, G. J. and Harris, L. (1982). The importance of vocal tract resonance in clarinet
and saxophone performance—a preliminary account. Acustica 50, 280–284.
Cochelin, B. and Vergez, C. (2009). A high-order purely frequency-based harmonic balance
formulation for continuation of periodic solutions. J. Sound Vib. 324, 243–262.
Collver, M. and Dickey, B. (1996). A Catalog of Music for the Cornett. Bloomington, Indiana
University Press.
Cook, P. R. (2001). Principles for designing computer music controllers. Proc. International
Conference New Interfaces for Musical Expression (NIME), 1–4.
Cook, P. R., Abel, J. S., Kolar, M. A., Huang, P., Huopaniemi, J., Rick, J. W., Chafe, C. and
Chowning, J. M. (2010). Acoustic analysis of the Chavín pututus (Strombus galeatus marine
shell trumpets). J. Acoust. Soc. Am. 128, 2359, https://doi.org/10.1121/1.3508370.
Copley, D. C. and Strong, W. J. (1996). A stroboscopic study of lip vibrations in a trombone. J.
Acoust. Soc. Am. 99, 1219–1226, https://doi.org/10.1121/1.414603.
Cullen, J. S. (2000). A study of brass instrument acoustics using an artificial lip reed mechanism,
laser Doppler anemometry and other techniques. Ph.D. thesis, University of Edinburgh.
Cullen, J., Gilbert, J. and Campbell, D. M. (2000). Brass instruments: linear stability analysis and
experiments with an artificial mouth. Acta Acust united Ac 86, 704–724.
Dalmont, J. P. (2001). Acoustic impedance measurement, Part I: a review. J. Sound. Vib. 243,
427–439.
Dalmont, J. P. (2001) Acoustic impedance measurement, Part II: a new calibration method. J.
Sound. Vib. 243, 441–459.