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Dalmont, J. P., Gazengel, B., Gilbert, J. and Kergomard, J. (1995). Some aspects of tuning and
clean intonation in reed instruments. Appl. Acoust. 46(1), 19–60.
Dalmont, J. P., Gilbert, J. and Kergomard, J. (2000). Reed instruments, from small to large
amplitude periodic oscillations and the Helmholtz motion analogy. Acta Acust. united Ac. 86,
671–684.
Dalmont, J. P., Joly, N. and Nederveen, C. J. (2001). Radiation impedance of tubes with different
flanges: numerical and experimental investigations. J. Sound Vib. 244, 504–534.
Dalmont, J. P., Curtit, M. and Yahaya, A. F. (2012). On the accuracy of bore reconstruction from
input impedance measurements: Application to bassoon crook measurements. J. Acoust. Soc.
Am. 131, 708–714, https://doi.org/10.1121/1.3651793.
Debut, V. and Kergomard, J. (2004). Analysis of the self-sustained oscillations of a clarinet as a
Van der Pol oscillator. International Congress on Acoustics, Kyoto, Japan.
Del Mar, N. (1983). Anatomy of the Orchestra, 2nd Edn. London, Faber.
Deutsch, D. (2013). Grouping mechanisms in music. In D. Deutsch (Ed.), The Psychology of
Music, 3rd Edn., 183–248, San Diego, Elsevier.
Dickens, P., Smith, J. R. and Wolfe, J. (2007). Improved precision in measurements of acoustic
impedance spectra using resonance-free calibration loads and controlled error distribution. J.
Acoust. Soc. Am. 121, 1471–1481.
Doc, J. B., Vergez, C. and Missoum, S. (2014). A minimal model of a single-reed instrument
producing quasi-periodic sounds. Acta Acust. united Ac. 100, 543–554.
Doedel, E. J., Champneys, A. R., Fairgrieve, T. F., Kuznetsov, Y. A., Sandstede, B. and Wang, X. J.
1997. AUTO97: Continuation and bifurcation software for ordinary differential equations (with
HomCont), User’s Guide. Concordia University. http://indy.cs.concordia.ca/auto/. Accessed
April 2020.
Dubos, V., Kergomard, J., Khettabi, A., Dalmont, J. P., Keefe, D. H. and Nederveen, C. (1999).
Theory of sound propagation in a duct with a branched tube using modal decomposition. Acta
Acust. united Ac. 85, 153–169.
Dudgeon, R. T., Eastop, P., Herbert, T. and Wallace, J. (1997). Playing, learning and teaching
brass. In Herbert, T. and Wallace, J. (Eds.), The Cambridge Companion to Brass Instruments,
Cambridge University Press.
Dullat, G. (1989). Metallblasinstrumentenbau: Entwicklungsstufen und Technologie. Frankfurt,
Bochinsky.
Earnshaw, S. (1860). On the mathematical theory of sound. Philos. T. R. Soc. Lond. 150, 133–148.
Egger, R. and Kausel, W. (2005). The Brass-Wind-Instrument-Optimizer as a tool for instrument
makers: A case study. In Kühnelt, H. and Widholm, G. (Eds.), Proc. EAA workshop on Wind
Instrument Acoustics, ViennaTalk 2005—On the Future of Wind Instruments.
Ehara, F., Nagai, K. and Mizutani, K. (2001). Relationships between vibration of artificial lips and
sound frequency of a trumpet. Proc. International Symposium on Musical Acoustics, Perugia,
Italy, 513–516.
Elliott, S. J. and Bowsher, J. M. (1982). Regeneration in brass wind instruments. J. Sound Vib. 83,
181–217.
EMAP (2018). European Music Archeology Project. http://www.emaproject.eu. accessed April
2020.
Evans, A., Ackermann, B. and Driscoll, T. (2010). Functional anatomy of the soft palate applied to
wind playing. Med. Probl. Perform. Art 25(4), 183–189.
Eveno, P., Dalmont, J. P., Caussé, R. and Gilbert, J. (2012). Wave propagation and radiation in a
horn: Comparisons between models and measurements. Acta Acust. united Ac. 98, 158–165,
https://doi.org/10.3813/AAA.918501.
Eveno, P. and Le Conte, S. (2013). The use of the input impedance for characterising historical
serpents. Proc. Stockholm Musical Acoustics Conference (SMAC2013), Stockholm, Sweden,
495–501.
Eveno, P., Petiot, J. F., Gilbert, J., Kieffer, B. and Caussé, R. (2014). The relationship between
bore resonance frequencies and playing frequencies in trumpets. Acta Acust. united Ac. 100,
362–374.
423
Dalmont, J. P., Gazengel, B., Gilbert, J. and Kergomard, J. (1995). Some aspects of tuning and
clean intonation in reed instruments. Appl. Acoust. 46(1), 19–60.
Dalmont, J. P., Gilbert, J. and Kergomard, J. (2000). Reed instruments, from small to large
amplitude periodic oscillations and the Helmholtz motion analogy. Acta Acust. united Ac. 86,
671–684.
Dalmont, J. P., Joly, N. and Nederveen, C. J. (2001). Radiation impedance of tubes with different
flanges: numerical and experimental investigations. J. Sound Vib. 244, 504–534.
Dalmont, J. P., Curtit, M. and Yahaya, A. F. (2012). On the accuracy of bore reconstruction from
input impedance measurements: Application to bassoon crook measurements. J. Acoust. Soc.
Am. 131, 708–714, https://doi.org/10.1121/1.3651793.
Debut, V. and Kergomard, J. (2004). Analysis of the self-sustained oscillations of a clarinet as a
Van der Pol oscillator. International Congress on Acoustics, Kyoto, Japan.
Del Mar, N. (1983). Anatomy of the Orchestra, 2nd Edn. London, Faber.
Deutsch, D. (2013). Grouping mechanisms in music. In D. Deutsch (Ed.), The Psychology of
Music, 3rd Edn., 183–248, San Diego, Elsevier.
Dickens, P., Smith, J. R. and Wolfe, J. (2007). Improved precision in measurements of acoustic
impedance spectra using resonance-free calibration loads and controlled error distribution. J.
Acoust. Soc. Am. 121, 1471–1481.
Doc, J. B., Vergez, C. and Missoum, S. (2014). A minimal model of a single-reed instrument
producing quasi-periodic sounds. Acta Acust. united Ac. 100, 543–554.
Doedel, E. J., Champneys, A. R., Fairgrieve, T. F., Kuznetsov, Y. A., Sandstede, B. and Wang, X. J.
1997. AUTO97: Continuation and bifurcation software for ordinary differential equations (with
HomCont), User’s Guide. Concordia University. http://indy.cs.concordia.ca/auto/. Accessed
April 2020.
Dubos, V., Kergomard, J., Khettabi, A., Dalmont, J. P., Keefe, D. H. and Nederveen, C. (1999).
Theory of sound propagation in a duct with a branched tube using modal decomposition. Acta
Acust. united Ac. 85, 153–169.
Dudgeon, R. T., Eastop, P., Herbert, T. and Wallace, J. (1997). Playing, learning and teaching
brass. In Herbert, T. and Wallace, J. (Eds.), The Cambridge Companion to Brass Instruments,
Cambridge University Press.
Dullat, G. (1989). Metallblasinstrumentenbau: Entwicklungsstufen und Technologie. Frankfurt,
Bochinsky.
Earnshaw, S. (1860). On the mathematical theory of sound. Philos. T. R. Soc. Lond. 150, 133–148.
Egger, R. and Kausel, W. (2005). The Brass-Wind-Instrument-Optimizer as a tool for instrument
makers: A case study. In Kühnelt, H. and Widholm, G. (Eds.), Proc. EAA workshop on Wind
Instrument Acoustics, ViennaTalk 2005—On the Future of Wind Instruments.
Ehara, F., Nagai, K. and Mizutani, K. (2001). Relationships between vibration of artificial lips and
sound frequency of a trumpet. Proc. International Symposium on Musical Acoustics, Perugia,
Italy, 513–516.
Elliott, S. J. and Bowsher, J. M. (1982). Regeneration in brass wind instruments. J. Sound Vib. 83,
181–217.
EMAP (2018). European Music Archeology Project. http://www.emaproject.eu. accessed April
2020.
Evans, A., Ackermann, B. and Driscoll, T. (2010). Functional anatomy of the soft palate applied to
wind playing. Med. Probl. Perform. Art 25(4), 183–189.
Eveno, P., Dalmont, J. P., Caussé, R. and Gilbert, J. (2012). Wave propagation and radiation in a
horn: Comparisons between models and measurements. Acta Acust. united Ac. 98, 158–165,
https://doi.org/10.3813/AAA.918501.
Eveno, P. and Le Conte, S. (2013). The use of the input impedance for characterising historical
serpents. Proc. Stockholm Musical Acoustics Conference (SMAC2013), Stockholm, Sweden,
495–501.
Eveno, P., Petiot, J. F., Gilbert, J., Kieffer, B. and Caussé, R. (2014). The relationship between
bore resonance frequencies and playing frequencies in trumpets. Acta Acust. united Ac. 100,
362–374.