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Bouhuys, A. (1965). Sound power production in wind instruments. J. Acoust. Soc. Am. 37, 453–
456, https://doi.org/10.1121/1.1909350.
Boutin, H., Fletcher, N., Smith, J. and Wolfe, J. (2013). Lip motion, the playing frequency of the
trombone and the upstream and downstream impedances. Proc. Stockholm Musical Acoustics
Conference (SMAC 2013), Stockholm, Sweden, 281–489.
Boutin, H., Besnainou, C. and Polack, J. D. (2015a). Modifying the resonances of a xylophone
bar using active control. Acta Acust. united Ac. 101, 408–420, https://doi.org/10.3813/AAA.
918836.
Boutin, H., Fletcher, N., Smith, J. and Wolfe, J. (2015b). Relationships between pressure, flow, lip
motion, and upstream and downstream impedances for the trombone. J. Acoust. Soc. Am. 137,
1195–1209, https://doi.org/10.1121/1.4908236.
Bowsher, J. M. and Watkinson, P. S. (1982). Manufacturers’ opinions about brass instruments.
Brass Bulletin 38, 25–30.
Braden, A. (2006). Bore optimisation and impedance modelling of brass musical instruments Ph.D.
Thesis, University of Edinburgh.
Braden, A., Newton, M. and Campbell, D. M. (2009). Trombone bore optimization based on input
impedance targets. J. Acoust. Soc. Am. 125, 2404–2412, https://doi.org/10.1121/1.3087423.
Bromage, S. R. (2007). Visualisation of the lip motion of brass instrument players, and investigations of an artificial mouth as a tool for comparative studies of instruments. Ph.D. thesis,
University of Edinburgh.
Bromage, S. R., Richards, O. F. and Campbell, D. M. (2003). Reproducibility and control of the
embouchure of an artificial mouth for playing brass instruments: Proc. Stockholm Musical
Acoustics Conference (SMAC03), Stockholm, Sweden, pp. 197–200.
Bromage, S., Campbell, M., Chick, J., Gilbert, J. and Stevenson, S. (2006). Motion of the brass
player’s lips during extremely loud playing Proc. 8 e Congrès Francais d’Acoustique, Tours,
France.
Bromage, S., Campbell, M. and Gilbert, J. (2010). Open areas of vibrating lips in trombone playing.
Acta Acust. united Ac. 96, 603–613, https://doi.org/10.3813/AAA.918315.
Bronk, B. (2010). It’s Just Intonation. Bandmasters Review, Texas Bandmasters Association, Dec.
2010, 15–20.
Bruneau, M. (2006) Fundamentals of Acoustics. London, Wiley-ISTE.
Buick, J. M., Kemp, J., Sharp, D. B., van Walstijn, M., Campbell, D. M. and Smith, R. A. (2002).
Distinguishing between similar tubular objects using pulse reflectometry: a study of trumpet
and cornet lead pipes. Meas. Sci. Technol. 13, 750–757. https://10.1088/0957-0233/13/5/313.
Cala, J., Kenyon, C. M., Ferrigno, G., Carnevali, P., Aliverti, A., Pedotti, A., Macklem, P. T. and
Rochester, D. F. (1996). Chest wall and lung volume estimation by optical reflectance motion
analysis. J. Appl. Physiol. 81, 2680–2689.
Campbell, D. M. (1999). Non-linear dynamics of musical reed and brass wind instruments.
Contemp. Phys. 40, 415–431.
Campbell, M. (2004). Brass instruments as we know them today. Acta Acust. united Ac. 90, 600–
610.
Campbell, M. (2013). Objective evaluation of musical instrument quality: a grand challenge in
musical acoustics. ICA2013 Montreal, Proc. Mtg. Acoust. 19, 032003.
Campbell, M. (2014a). Musical acoustics for musicians. Proc. International Symposium on
Musical Acoustics, Le Mans, France.
Campbell, M. (2014b). Evaluating musical instruments. Physics Today 67(3), 35–40.
Campbell, M. and Greated, C. (1987). The Musician’s Guide to Acoustics. Oxford University Press.
Campbell, D. M. and MacGillivray, T. (1999). Acoustics of the Carnyx. In Hickmann, E., Laufs, I.
and Eichmann, R. (Eds) Studies in Musical Archaeology II: Music Archaeology of Early Metal
Ages, pp. 357–363. Berlin, Deutsches Archaeologisches Institut.
Campbell, M., Greated, C. and Myers, A. (2004). Musical Instruments: History, Technology and
Performance of Instruments of Western Music. Oxford University Press.
Campbell, D., Chick, J. and Myers, A. (2014a). Acoustical comparisons of sackbuts and trombones. Historic Brass Society Journal 26, 63–78, https://doi.org/10.2153/0120140011005.
421
Bouhuys, A. (1965). Sound power production in wind instruments. J. Acoust. Soc. Am. 37, 453–
456, https://doi.org/10.1121/1.1909350.
Boutin, H., Fletcher, N., Smith, J. and Wolfe, J. (2013). Lip motion, the playing frequency of the
trombone and the upstream and downstream impedances. Proc. Stockholm Musical Acoustics
Conference (SMAC 2013), Stockholm, Sweden, 281–489.
Boutin, H., Besnainou, C. and Polack, J. D. (2015a). Modifying the resonances of a xylophone
bar using active control. Acta Acust. united Ac. 101, 408–420, https://doi.org/10.3813/AAA.
918836.
Boutin, H., Fletcher, N., Smith, J. and Wolfe, J. (2015b). Relationships between pressure, flow, lip
motion, and upstream and downstream impedances for the trombone. J. Acoust. Soc. Am. 137,
1195–1209, https://doi.org/10.1121/1.4908236.
Bowsher, J. M. and Watkinson, P. S. (1982). Manufacturers’ opinions about brass instruments.
Brass Bulletin 38, 25–30.
Braden, A. (2006). Bore optimisation and impedance modelling of brass musical instruments Ph.D.
Thesis, University of Edinburgh.
Braden, A., Newton, M. and Campbell, D. M. (2009). Trombone bore optimization based on input
impedance targets. J. Acoust. Soc. Am. 125, 2404–2412, https://doi.org/10.1121/1.3087423.
Bromage, S. R. (2007). Visualisation of the lip motion of brass instrument players, and investigations of an artificial mouth as a tool for comparative studies of instruments. Ph.D. thesis,
University of Edinburgh.
Bromage, S. R., Richards, O. F. and Campbell, D. M. (2003). Reproducibility and control of the
embouchure of an artificial mouth for playing brass instruments: Proc. Stockholm Musical
Acoustics Conference (SMAC03), Stockholm, Sweden, pp. 197–200.
Bromage, S., Campbell, M., Chick, J., Gilbert, J. and Stevenson, S. (2006). Motion of the brass
player’s lips during extremely loud playing Proc. 8 e Congrès Francais d’Acoustique, Tours,
France.
Bromage, S., Campbell, M. and Gilbert, J. (2010). Open areas of vibrating lips in trombone playing.
Acta Acust. united Ac. 96, 603–613, https://doi.org/10.3813/AAA.918315.
Bronk, B. (2010). It’s Just Intonation. Bandmasters Review, Texas Bandmasters Association, Dec.
2010, 15–20.
Bruneau, M. (2006) Fundamentals of Acoustics. London, Wiley-ISTE.
Buick, J. M., Kemp, J., Sharp, D. B., van Walstijn, M., Campbell, D. M. and Smith, R. A. (2002).
Distinguishing between similar tubular objects using pulse reflectometry: a study of trumpet
and cornet lead pipes. Meas. Sci. Technol. 13, 750–757. https://10.1088/0957-0233/13/5/313.
Cala, J., Kenyon, C. M., Ferrigno, G., Carnevali, P., Aliverti, A., Pedotti, A., Macklem, P. T. and
Rochester, D. F. (1996). Chest wall and lung volume estimation by optical reflectance motion
analysis. J. Appl. Physiol. 81, 2680–2689.
Campbell, D. M. (1999). Non-linear dynamics of musical reed and brass wind instruments.
Contemp. Phys. 40, 415–431.
Campbell, M. (2004). Brass instruments as we know them today. Acta Acust. united Ac. 90, 600–
610.
Campbell, M. (2013). Objective evaluation of musical instrument quality: a grand challenge in
musical acoustics. ICA2013 Montreal, Proc. Mtg. Acoust. 19, 032003.
Campbell, M. (2014a). Musical acoustics for musicians. Proc. International Symposium on
Musical Acoustics, Le Mans, France.
Campbell, M. (2014b). Evaluating musical instruments. Physics Today 67(3), 35–40.
Campbell, M. and Greated, C. (1987). The Musician’s Guide to Acoustics. Oxford University Press.
Campbell, D. M. and MacGillivray, T. (1999). Acoustics of the Carnyx. In Hickmann, E., Laufs, I.
and Eichmann, R. (Eds) Studies in Musical Archaeology II: Music Archaeology of Early Metal
Ages, pp. 357–363. Berlin, Deutsches Archaeologisches Institut.
Campbell, M., Greated, C. and Myers, A. (2004). Musical Instruments: History, Technology and
Performance of Instruments of Western Music. Oxford University Press.
Campbell, D., Chick, J. and Myers, A. (2014a). Acoustical comparisons of sackbuts and trombones. Historic Brass Society Journal 26, 63–78, https://doi.org/10.2153/0120140011005.