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25. Kapferer JN (2012) Abundant rarity: the key to luxury growth. Bus Horiz 55(5):453–462
26. Il Sole 24 Ore (2019). Lamborghini, tetto alle vendite: non più di 8mila auto
all’anno dal 2020. (https://www.ilsole24ore.com/art/motori/2019-01-30/lamborghini-tettovendite-non-piu-8000-auto-all-anno-2020-103519.shtml?uuid=AFDgn1C&refresh_ce=1)
27. Haute L (2019) Louis vuitton launches ArtyCapucines limited edition handbags in collaboration
with renowned global artists. (https://hauteliving.com/2019/06/louis-vuitton-artycapucines/
670754/)
28. World Commission on Environment and Development (1987) Our common future. Oxford
University Press, Oxford
29. Cooper T (ed) (2010) Longer lasting products: alternatives to the throwaway society. Gower,
Farnham
30. Bauman Z (2005) Liquid life. Polity Press, Cambridge
31. Amatulli C, De Angelis M, Costabile M, Guido G (2017) Sustainable luxury brands: evidence
from research and implications for managers. Springer, London
32. Carrier JG, Luetchford P (2012) Ethical consumption: social value and economic practice.
Berghahn Books, New York
33. De Angelis M, Amatulli C (2018) Luxury marketing: vendere lusso nell’epoca della
sostenibilità. Luiss University Press, Roma
34. Hennigs N, Wiedmann KP, Klarmann C, Behrens S (2013) Sustainability as part of the luxury essence: delivering value through social and environmental excellence. J Corp Citizship
52(4):25–35
35. Kapferer JN (2010) All that glitters is not green: the challenge of sustainable luxury. Eur Bus
Rev 40–45
36. Bain & Company (2018) Luxury goods worldwide market study, Fall–Winter 2018. https://
www.bain.com/contentassets/8df501b9f8d6442eba00040246c6b4f9/bain_digest__luxury_
goods_worldwide_market_study_fall_winter_2018.pdf. Accessed 20 May 2019
37. Boston Consulting Group (2019) 2019 true-luxury global consumer insight, 6th edition. http://
media-publications.bcg.com/france/True-Luxury%20Global%20Consumer%20Insight%
202019%20-%20Plenary%20-%20vMedia.pdf
38. Kapferer JN (2014) The artification of luxury: from artisans to artists. Bus Horiz 57(3):371–380
39. Dubois B, Czellar S, Laurent G (2005) Consumer segments based on attitudes toward luxury:
empirical evidence from twenty countries. Mark Lett 16(2):115–128
40. McNeil P, Riello G (2016) Luxury: a rich history. Oxford University Press, Oxford
41. Diniz C, Atwal G, Bryson D (2014) Understanding the Brazilian luxury consumer. Lux Brand
Emerg Mark 7–16
42. Yeoman I, McMahon-Beattie U (2014) Exclusivity: the future of luxury. J Revenue Pricing
Manag 13(1):12–22
43. Chailan C (2018) Art as a means to recreate luxury brands’ rarity and value. J Bus Res 85:414–
423
44. Kastner OL (2014) When luxury meets art. Forms of collaboration between luxury brands and
the arts. Springer Gabler, Wiesbaden
45. Gibson R (2003) Schiaparelli, Surrealism and the Desk Suit. J Costume Soc Am 30(1):48–58
46. Luxury Society (2009) The evolving marriage of art and fashion. (https://www.luxurysociety.
com/en/articles/2009/04/the-evolving-marriage-of-art-and-fashion/)
47. Kim SB (1998) Is fashion art? Fashion theory. J Dress, Body Cult 2(1):51–71
48. Chevalier M, Mazzalovo G (2012) Luxury brand management. A world of privilege 2nd edn.
Hoboken, New Jersey
49. Naukkarinen O (2012) variations on artification. contemporary aesthetics, Special Volume 4
50. Joy A, Wang JJ, Chan TS, Sherry JF Jr, Cui G (2014) M (Art) worlds: consumer perceptions
of how luxury brand stores become art institutions. J Retail 90(3):347–364
51. Crader S, Zaichkowsky JL (2007) The art of marketing. In: Lowrey TM (ed) Brick & Mortar
shopping in the 21st Century, 1st edn. Psychology Press, New York, pp 87–106
52. Hagtvedt H, Patrick VM (2008) Art infusion: the influence of visual art on the perception and
evaluation of consumer products. J Mark Res 45(3):379–389
83
25. Kapferer JN (2012) Abundant rarity: the key to luxury growth. Bus Horiz 55(5):453–462
26. Il Sole 24 Ore (2019). Lamborghini, tetto alle vendite: non più di 8mila auto
all’anno dal 2020. (https://www.ilsole24ore.com/art/motori/2019-01-30/lamborghini-tettovendite-non-piu-8000-auto-all-anno-2020-103519.shtml?uuid=AFDgn1C&refresh_ce=1)
27. Haute L (2019) Louis vuitton launches ArtyCapucines limited edition handbags in collaboration
with renowned global artists. (https://hauteliving.com/2019/06/louis-vuitton-artycapucines/
670754/)
28. World Commission on Environment and Development (1987) Our common future. Oxford
University Press, Oxford
29. Cooper T (ed) (2010) Longer lasting products: alternatives to the throwaway society. Gower,
Farnham
30. Bauman Z (2005) Liquid life. Polity Press, Cambridge
31. Amatulli C, De Angelis M, Costabile M, Guido G (2017) Sustainable luxury brands: evidence
from research and implications for managers. Springer, London
32. Carrier JG, Luetchford P (2012) Ethical consumption: social value and economic practice.
Berghahn Books, New York
33. De Angelis M, Amatulli C (2018) Luxury marketing: vendere lusso nell’epoca della
sostenibilità. Luiss University Press, Roma
34. Hennigs N, Wiedmann KP, Klarmann C, Behrens S (2013) Sustainability as part of the luxury essence: delivering value through social and environmental excellence. J Corp Citizship
52(4):25–35
35. Kapferer JN (2010) All that glitters is not green: the challenge of sustainable luxury. Eur Bus
Rev 40–45
36. Bain & Company (2018) Luxury goods worldwide market study, Fall–Winter 2018. https://
www.bain.com/contentassets/8df501b9f8d6442eba00040246c6b4f9/bain_digest__luxury_
goods_worldwide_market_study_fall_winter_2018.pdf. Accessed 20 May 2019
37. Boston Consulting Group (2019) 2019 true-luxury global consumer insight, 6th edition. http://
media-publications.bcg.com/france/True-Luxury%20Global%20Consumer%20Insight%
202019%20-%20Plenary%20-%20vMedia.pdf
38. Kapferer JN (2014) The artification of luxury: from artisans to artists. Bus Horiz 57(3):371–380
39. Dubois B, Czellar S, Laurent G (2005) Consumer segments based on attitudes toward luxury:
empirical evidence from twenty countries. Mark Lett 16(2):115–128
40. McNeil P, Riello G (2016) Luxury: a rich history. Oxford University Press, Oxford
41. Diniz C, Atwal G, Bryson D (2014) Understanding the Brazilian luxury consumer. Lux Brand
Emerg Mark 7–16
42. Yeoman I, McMahon-Beattie U (2014) Exclusivity: the future of luxury. J Revenue Pricing
Manag 13(1):12–22
43. Chailan C (2018) Art as a means to recreate luxury brands’ rarity and value. J Bus Res 85:414–
423
44. Kastner OL (2014) When luxury meets art. Forms of collaboration between luxury brands and
the arts. Springer Gabler, Wiesbaden
45. Gibson R (2003) Schiaparelli, Surrealism and the Desk Suit. J Costume Soc Am 30(1):48–58
46. Luxury Society (2009) The evolving marriage of art and fashion. (https://www.luxurysociety.
com/en/articles/2009/04/the-evolving-marriage-of-art-and-fashion/)
47. Kim SB (1998) Is fashion art? Fashion theory. J Dress, Body Cult 2(1):51–71
48. Chevalier M, Mazzalovo G (2012) Luxury brand management. A world of privilege 2nd edn.
Hoboken, New Jersey
49. Naukkarinen O (2012) variations on artification. contemporary aesthetics, Special Volume 4
50. Joy A, Wang JJ, Chan TS, Sherry JF Jr, Cui G (2014) M (Art) worlds: consumer perceptions
of how luxury brand stores become art institutions. J Retail 90(3):347–364
51. Crader S, Zaichkowsky JL (2007) The art of marketing. In: Lowrey TM (ed) Brick & Mortar
shopping in the 21st Century, 1st edn. Psychology Press, New York, pp 87–106
52. Hagtvedt H, Patrick VM (2008) Art infusion: the influence of visual art on the perception and
evaluation of consumer products. J Mark Res 45(3):379–389