432
References
Reid, S., Gaston, R. and Kapur, A. (2019). Perspectives on time: performance practice, mapping
strategies, and composition with MIGSI. In Proc. International Conference on New Interfaces
for Musical Expression (NIME) Porto Alegre, Brazil, 234–239.
Richards, O. F. (2003). Investigation of the lip reed using computational modelling and experimental studies with an artificial mouth. Ph.D. thesis, University of Edinburgh.
Richards, O. F., Campbell, D. M. and Gilbert, J. (2003). Modelling the lip reed: computational and
experimental investigations of two-mode inward/outward striking behaviour. Proc. Stockholm
Musical Acoustics Conference (SMAC03), Stockholm, Sweden, 233–235.
Ricot, D., Caussé, R. and Misdariis, N. (2005). Aerodynamic excitation and sound production
of blown-closed free reeds without acoustic coupling; the example of the accordion reed. J.
Acoust. Soc. Am. 117, 2279–2290, https://doi.org/10.1121/1.1852546.
Rodgers, G. (2018). Partial filter: tuba and electronics. https://polarpatterns.wordpress.com/2015/
03/21/partial-filter-tuba-and-electronics/, retrieved July 2020.
Roederer, J. (2009). The Physics and Psychophysics of Music. New York, Springer.
Saneyoshi, J., Teramura, H. and Yoshikawa, H. (1987). Feedback oscillations in reed woodwind
and brasswind instruments. Acustica 62, 194–210.
Sax, A. (1850). Note pour Messieurs les Conseilleurs [of the court of Rouen]. Translated in Heyde,
H. (2001), Methods of organology and proportions in brass wind instrument making. Historic
Brass Society Journal 13, 1–51.
Scavone, G. P., Lefebvre, A. and da Silva, A. R. (2008). Measurement of vocal-tract influence
during saxophone performance. J. Acoust. Soc. Am. 123(4), 2391–2400, https://doi.org/10.
1121/1.2839900.
Schumacher, R. T. (1978). Self sustained oscillations of the clarinet: an integral equation approach.
Acustica 40, 298–309.
Schumacher, R. T. (1981). Ab initio calculations of the oscillation of a clarinet. Acustica 48, 71–85.
Schwab, B. and Schultze-Florey, A. (2004).Velopharyngeal insufficiency in woodwind and brass
players. Med. Probl. Perform. Arts 19, 21–25.
Scott, A., Chick, J. and Myers, A. (2019). The Cor Solo: History and Characteristics. Historic
Brass Society Journal 31, 1–34. https://doi.org/10.2153/0120190011001.
Sécail-Géraud, M., Leblanc, L., Gilbert, J., Gautier, F. and Hoekje, P. (2018). Analyse de couplages
vibroacoustiques sur un double pavillon de trombone en situation de jeu. Proc. 14 e Congrès
Français d’Acoustique, Le Havre, France.
Settles, G. S. (2001). Schlieren and shadowgraph techniques: visualizing phenomena in transparent media. New York, Springer.
Sharp, D. (1996). Acoustic pulse reflectometry for the measurement of musical wind instruments.
Ph.D. thesis, University of Edinburgh.
Sharp, D. B., Mamou-Mani, A. and van Walstijn, M. (2011). A single microphone capillary based
system for measuring the complex input impedance of musical wind instruments. Acta Acust.
United Ac. 97, 819–829, https://doi.org/10.3813/AAA.918462.
Silva, F., Vergez, C. and Kergomard, J. (2007). Oscilllation thresholds for striking outward reeds
coupled to a resonator. Proc. International Symposium on Musical Acoustics, Barcelona.
Silva, F., Vergez, C., Guillemain, P., Kergomard, J. and Debut, V. (2014). MoReeSC: a framework
for the simulation and analysis of sound production in reed and brass instruments. Acta Acust.
United Ac. 100, 126–138, https://doi.org/10.3813/AAA.918693.
Singh, R. and Schary, M. (1978). Acoustic impedance measurement using sine sweep excitation
and known volume velocity technique. J. Acoust. Soc. Am. 64, 995–1003, https://doi.org/10.
1121/1.382061.
Sivian, L. J., Dunn, H. K. and White, S. D. (1930). Absolute amplitudes and spectra of certain
musical instruments. J. Acoust. Soc. Am. 1, 172, https://doi.org/10.1121/1.1901894.
Sivian, L. J., Dunn, H. K. and White, S. D. (1931). Absolute amplitudes and spectra of certain
musical instruments and orchestras. J. Acoust. Soc. Am. 2, 330–371, https://doi.org/10.1121/1.
1915260.
Sluchin, B. (1995). Jeu et chant simultanés sur les cuivres (Playing and singing simultaneously on
brass instruments). Paris, Editions Musicales Européennes.
References
Reid, S., Gaston, R. and Kapur, A. (2019). Perspectives on time: performance practice, mapping
strategies, and composition with MIGSI. In Proc. International Conference on New Interfaces
for Musical Expression (NIME) Porto Alegre, Brazil, 234–239.
Richards, O. F. (2003). Investigation of the lip reed using computational modelling and experimental studies with an artificial mouth. Ph.D. thesis, University of Edinburgh.
Richards, O. F., Campbell, D. M. and Gilbert, J. (2003). Modelling the lip reed: computational and
experimental investigations of two-mode inward/outward striking behaviour. Proc. Stockholm
Musical Acoustics Conference (SMAC03), Stockholm, Sweden, 233–235.
Ricot, D., Caussé, R. and Misdariis, N. (2005). Aerodynamic excitation and sound production
of blown-closed free reeds without acoustic coupling; the example of the accordion reed. J.
Acoust. Soc. Am. 117, 2279–2290, https://doi.org/10.1121/1.1852546.
Rodgers, G. (2018). Partial filter: tuba and electronics. https://polarpatterns.wordpress.com/2015/
03/21/partial-filter-tuba-and-electronics/, retrieved July 2020.
Roederer, J. (2009). The Physics and Psychophysics of Music. New York, Springer.
Saneyoshi, J., Teramura, H. and Yoshikawa, H. (1987). Feedback oscillations in reed woodwind
and brasswind instruments. Acustica 62, 194–210.
Sax, A. (1850). Note pour Messieurs les Conseilleurs [of the court of Rouen]. Translated in Heyde,
H. (2001), Methods of organology and proportions in brass wind instrument making. Historic
Brass Society Journal 13, 1–51.
Scavone, G. P., Lefebvre, A. and da Silva, A. R. (2008). Measurement of vocal-tract influence
during saxophone performance. J. Acoust. Soc. Am. 123(4), 2391–2400, https://doi.org/10.
1121/1.2839900.
Schumacher, R. T. (1978). Self sustained oscillations of the clarinet: an integral equation approach.
Acustica 40, 298–309.
Schumacher, R. T. (1981). Ab initio calculations of the oscillation of a clarinet. Acustica 48, 71–85.
Schwab, B. and Schultze-Florey, A. (2004).Velopharyngeal insufficiency in woodwind and brass
players. Med. Probl. Perform. Arts 19, 21–25.
Scott, A., Chick, J. and Myers, A. (2019). The Cor Solo: History and Characteristics. Historic
Brass Society Journal 31, 1–34. https://doi.org/10.2153/0120190011001.
Sécail-Géraud, M., Leblanc, L., Gilbert, J., Gautier, F. and Hoekje, P. (2018). Analyse de couplages
vibroacoustiques sur un double pavillon de trombone en situation de jeu. Proc. 14 e Congrès
Français d’Acoustique, Le Havre, France.
Settles, G. S. (2001). Schlieren and shadowgraph techniques: visualizing phenomena in transparent media. New York, Springer.
Sharp, D. (1996). Acoustic pulse reflectometry for the measurement of musical wind instruments.
Ph.D. thesis, University of Edinburgh.
Sharp, D. B., Mamou-Mani, A. and van Walstijn, M. (2011). A single microphone capillary based
system for measuring the complex input impedance of musical wind instruments. Acta Acust.
United Ac. 97, 819–829, https://doi.org/10.3813/AAA.918462.
Silva, F., Vergez, C. and Kergomard, J. (2007). Oscilllation thresholds for striking outward reeds
coupled to a resonator. Proc. International Symposium on Musical Acoustics, Barcelona.
Silva, F., Vergez, C., Guillemain, P., Kergomard, J. and Debut, V. (2014). MoReeSC: a framework
for the simulation and analysis of sound production in reed and brass instruments. Acta Acust.
United Ac. 100, 126–138, https://doi.org/10.3813/AAA.918693.
Singh, R. and Schary, M. (1978). Acoustic impedance measurement using sine sweep excitation
and known volume velocity technique. J. Acoust. Soc. Am. 64, 995–1003, https://doi.org/10.
1121/1.382061.
Sivian, L. J., Dunn, H. K. and White, S. D. (1930). Absolute amplitudes and spectra of certain
musical instruments. J. Acoust. Soc. Am. 1, 172, https://doi.org/10.1121/1.1901894.
Sivian, L. J., Dunn, H. K. and White, S. D. (1931). Absolute amplitudes and spectra of certain
musical instruments and orchestras. J. Acoust. Soc. Am. 2, 330–371, https://doi.org/10.1121/1.
1915260.
Sluchin, B. (1995). Jeu et chant simultanés sur les cuivres (Playing and singing simultaneously on
brass instruments). Paris, Editions Musicales Européennes.