References
431
Ossman, T., Pichler, H. and Widholm, G. (1989). BIAS: A computer-aided test system for brass
wind instruments. Audio Engineering Society Preprint No. 2834.
Otondo, F. and Rindel, J. H. (2004). The influence of the directivity of musical instruments in a
room. Acta Acust. United Ac. 90, 1178–1184.
Otondo, F. and Rindel, J. H. (2005). A new method for the radiation representation of musical
instruments in auralizations. Acta Acust. United Ac. 91, 902–906.
Pagneux, V., Amir, N. and Kergomard, J. (1996). A study of wave propagation in varying crosssection waveguides by modal decomposition. Part I. Theory and validation. J. Acoust. Soc. Am.
100, 2034–2048, https://doi.org/10.1121/1.417913.
Pandya, B. H., Settles, G. S. and Miller, J. D. (2003). Schlieren imaging of shock waves from a
trumpet. J. Acoust. Soc. Am. 114, 3363–3367, https://doi.org/10.1121/1.1628682.
Pätynen, J. 2011. A Virtual Symphony Orchestra for Studies of Concert Hall Acoustics. Ph.D.
thesis, Aalto University.
Pätynen, J. and Lokki, T. (2010). Directivities of symphony orchestra instruments. Acta Acust.
United Ac. 96, 138–187, https://doi.org/10.3813/AAA.918265.
Pelorson, X., Hirschberg, A., van Hassel, R. R., Wijnands, A. P. J. and Auregan, Y. (1994).
Theoretical and experimental study of quasisteady-flow separation within the glottis during
phonation. Application to a modified two-mass model. J. Acoust. Soc. Am. 96, 3416–3431,
https://doi.org/10.1121/1.411449.
Pelzer, S., Pollow, M. and Vorländer, M. 2012. Auralization of a virtual orchestra using directivities
of measured symphonic instruments. Proc. Acoustics12, Nantes, France, 2379–2384.
Petiot, J. F. (2003). Measurement of the force applied to the mouthpiece during brass instrument
playing. Proc. Stockholm Musical Acoustics Conference SMAC03, Stockholm, Sweden, 225–
228.
Petiot, J. F. and Gilbert, J. (2013). Comparison of trumpet sounds played by a musician and
simulated by physical modelling. Acta Acust. United Ac. 99, 629–641, https://doi.org/10.3813/
AAA.918642.
Petiot, J. F., Teissier, F., Gilbert, J. and Campbell, M. (2003). Comparative analysis of brass wind
instruments using an artificial mouth: first results. Acta Acust. United Ac. 89, 974–979.
Petiot, J. F. and Tavard, F. (2008). Design and manufacturing of an artificial marine conch by bore
optimization. Proc. Acoustics 2008, Paris, France.
Petiot, J. F., Kersaudy, P., Scavone, G., MacAdams, S. and Gazengel, B. (2017). Investigations of
the relationships between perceived qualities and sound parameters of saxophone reeds. Acta
Acust. United Ac. 103, 812–829, https://doi.org/10.3813/AAA.919110.
Pico Villa, R. and Gautier, F. (2007). Vibroacoustics of slightly distorted cylindrical shells; model
of the acoustic input impedance. J. Sound Vib., 302, 18–38.
Pierce, A. D. (1989). Acoustics, 2nd Ed. Acoustical Society of America, Woodbury, NY.
Poirson, E., Petiot, J. F. and Gilbert, J. (2005). Study of the brightness of trumpet tones. J. Acoust.
Soc. Am. 118, 2656–2666, https://doi.org/10.1121/1.2006007.
Poirson, E., Petiot, J. F. and Gilbert, J. (2007). Integration of user perceptions in the design process:
Application to musical instrument optimization. J. Mech. Design 129, 1206–1214.
Praetorius, M. (1619). Syntagma Musicum Vol. 2, Wolfenbüttel; repr. Bärenreiter, 1958.
Pratt, R. L., Elliott, S. J. and Bowsher, J. M. (1977). The measurement of the acoustic impedance
of brass instruments. Acta Acust. United Ac. 38, 236–246.
Pyle, R. W. (1975). Effective length of horns. J. Acoust. Soc. Am. 57, 1309–1317, https://doi.org/
10.1121/1.380607.
Pyle, R. W. (1991). A computational model of the Baroque trumpet and mute. Historic Brass
Society Journal 3, 79–97.
Pyle, R. W. and Myers, A. (2006). Scaling of brasswind instruments. J. Acoust. Soc. Am. 119(5),
3259.
Rayleigh, Lord (1894). The Theory of Sound. London, Macmillan; repr. Dover, 1945.
Reid, S., Gaston, R., Honigman, C. and Kapur, A. (2016). Minimally Invasive Gesture Sensing
Interface (MIGSI) for Trumpet. Proc. International Conference New Interfaces for Musical
Expression (NIME), Brisbane, Australia, 352–357.
431
Ossman, T., Pichler, H. and Widholm, G. (1989). BIAS: A computer-aided test system for brass
wind instruments. Audio Engineering Society Preprint No. 2834.
Otondo, F. and Rindel, J. H. (2004). The influence of the directivity of musical instruments in a
room. Acta Acust. United Ac. 90, 1178–1184.
Otondo, F. and Rindel, J. H. (2005). A new method for the radiation representation of musical
instruments in auralizations. Acta Acust. United Ac. 91, 902–906.
Pagneux, V., Amir, N. and Kergomard, J. (1996). A study of wave propagation in varying crosssection waveguides by modal decomposition. Part I. Theory and validation. J. Acoust. Soc. Am.
100, 2034–2048, https://doi.org/10.1121/1.417913.
Pandya, B. H., Settles, G. S. and Miller, J. D. (2003). Schlieren imaging of shock waves from a
trumpet. J. Acoust. Soc. Am. 114, 3363–3367, https://doi.org/10.1121/1.1628682.
Pätynen, J. 2011. A Virtual Symphony Orchestra for Studies of Concert Hall Acoustics. Ph.D.
thesis, Aalto University.
Pätynen, J. and Lokki, T. (2010). Directivities of symphony orchestra instruments. Acta Acust.
United Ac. 96, 138–187, https://doi.org/10.3813/AAA.918265.
Pelorson, X., Hirschberg, A., van Hassel, R. R., Wijnands, A. P. J. and Auregan, Y. (1994).
Theoretical and experimental study of quasisteady-flow separation within the glottis during
phonation. Application to a modified two-mass model. J. Acoust. Soc. Am. 96, 3416–3431,
https://doi.org/10.1121/1.411449.
Pelzer, S., Pollow, M. and Vorländer, M. 2012. Auralization of a virtual orchestra using directivities
of measured symphonic instruments. Proc. Acoustics12, Nantes, France, 2379–2384.
Petiot, J. F. (2003). Measurement of the force applied to the mouthpiece during brass instrument
playing. Proc. Stockholm Musical Acoustics Conference SMAC03, Stockholm, Sweden, 225–
228.
Petiot, J. F. and Gilbert, J. (2013). Comparison of trumpet sounds played by a musician and
simulated by physical modelling. Acta Acust. United Ac. 99, 629–641, https://doi.org/10.3813/
AAA.918642.
Petiot, J. F., Teissier, F., Gilbert, J. and Campbell, M. (2003). Comparative analysis of brass wind
instruments using an artificial mouth: first results. Acta Acust. United Ac. 89, 974–979.
Petiot, J. F. and Tavard, F. (2008). Design and manufacturing of an artificial marine conch by bore
optimization. Proc. Acoustics 2008, Paris, France.
Petiot, J. F., Kersaudy, P., Scavone, G., MacAdams, S. and Gazengel, B. (2017). Investigations of
the relationships between perceived qualities and sound parameters of saxophone reeds. Acta
Acust. United Ac. 103, 812–829, https://doi.org/10.3813/AAA.919110.
Pico Villa, R. and Gautier, F. (2007). Vibroacoustics of slightly distorted cylindrical shells; model
of the acoustic input impedance. J. Sound Vib., 302, 18–38.
Pierce, A. D. (1989). Acoustics, 2nd Ed. Acoustical Society of America, Woodbury, NY.
Poirson, E., Petiot, J. F. and Gilbert, J. (2005). Study of the brightness of trumpet tones. J. Acoust.
Soc. Am. 118, 2656–2666, https://doi.org/10.1121/1.2006007.
Poirson, E., Petiot, J. F. and Gilbert, J. (2007). Integration of user perceptions in the design process:
Application to musical instrument optimization. J. Mech. Design 129, 1206–1214.
Praetorius, M. (1619). Syntagma Musicum Vol. 2, Wolfenbüttel; repr. Bärenreiter, 1958.
Pratt, R. L., Elliott, S. J. and Bowsher, J. M. (1977). The measurement of the acoustic impedance
of brass instruments. Acta Acust. United Ac. 38, 236–246.
Pyle, R. W. (1975). Effective length of horns. J. Acoust. Soc. Am. 57, 1309–1317, https://doi.org/
10.1121/1.380607.
Pyle, R. W. (1991). A computational model of the Baroque trumpet and mute. Historic Brass
Society Journal 3, 79–97.
Pyle, R. W. and Myers, A. (2006). Scaling of brasswind instruments. J. Acoust. Soc. Am. 119(5),
3259.
Rayleigh, Lord (1894). The Theory of Sound. London, Macmillan; repr. Dover, 1945.
Reid, S., Gaston, R., Honigman, C. and Kapur, A. (2016). Minimally Invasive Gesture Sensing
Interface (MIGSI) for Trumpet. Proc. International Conference New Interfaces for Musical
Expression (NIME), Brisbane, Australia, 352–357.