Figure 1. Malaysian art tagline and art framework in the Industrial Revolution 4.0.
preserve it. Consequently, Veerawat Sirivesmas (2018) stated that the main justification is based
on an understanding of the history and culture before a paradigm shifts happen. Masterpieces,
authenticity, and intellectual property have become new considerations in art production today.
Since the Giclee print was introduced for high-quality digital art as original artwork, Intellectual
Property (IP) and ownership certificates ideas for selling artwork instead of the tangible product
itself. Javier Pes (2019) referenced Maurizio Cattelan’s $120,000 banana with duck-tape entitled
“Comedian” which was eaten up as performance art. According to Cattelan, the banana work that
was eaten is only a banana and is no longer a piece of real work. Ownership of the work is subject
to the ownership of the original certificate.
3 ART FRAMEWORK IN IR 4.0
In Figure 1, an art framework for IR 4.0 shows how art functions and its current significance. The
framework consists of components, linkages, and boundaries. The components of the art framework
consist of co-creator, hybrid art form, and society 5.0. Every component is linked to each other and
local cultural policies and other relevant government policies as well as financial allocation being
an internal factor that controls the development of art in addition to external factors that are global
in nature.
Co-creators consisted of multidisciplinary skills of an artist or professional team. They were
creative people that endeavored with AI, IoT, and network system. With IR 4.0, creation of an art
form converted to the hybrid mode either exists in actual things, simulated or virtual form, or a
combination thereof. The creation of hybrid artwork occurred through the innovation, creation and
even disruptive processes. When a work was produced by the process of collaboration it required an
equivalent understanding or a clear agreement that ultimately produced the value of commonality.
10
preserve it. Consequently, Veerawat Sirivesmas (2018) stated that the main justification is based
on an understanding of the history and culture before a paradigm shifts happen. Masterpieces,
authenticity, and intellectual property have become new considerations in art production today.
Since the Giclee print was introduced for high-quality digital art as original artwork, Intellectual
Property (IP) and ownership certificates ideas for selling artwork instead of the tangible product
itself. Javier Pes (2019) referenced Maurizio Cattelan’s $120,000 banana with duck-tape entitled
“Comedian” which was eaten up as performance art. According to Cattelan, the banana work that
was eaten is only a banana and is no longer a piece of real work. Ownership of the work is subject
to the ownership of the original certificate.
3 ART FRAMEWORK IN IR 4.0
In Figure 1, an art framework for IR 4.0 shows how art functions and its current significance. The
framework consists of components, linkages, and boundaries. The components of the art framework
consist of co-creator, hybrid art form, and society 5.0. Every component is linked to each other and
local cultural policies and other relevant government policies as well as financial allocation being
an internal factor that controls the development of art in addition to external factors that are global
in nature.
Co-creators consisted of multidisciplinary skills of an artist or professional team. They were
creative people that endeavored with AI, IoT, and network system. With IR 4.0, creation of an art
form converted to the hybrid mode either exists in actual things, simulated or virtual form, or a
combination thereof. The creation of hybrid artwork occurred through the innovation, creation and
even disruptive processes. When a work was produced by the process of collaboration it required an
equivalent understanding or a clear agreement that ultimately produced the value of commonality.
10