232
AdAptAtion in the Age of MediA ConvergenCe
original versions 12-13, 19, 22, 26, 31-34, 36, 38,
40, 42, 47-48, 50, 52, 66, 69, 74, 93, 100, 112,
116, 118-119, 123, 138, 147, 207, 215, 220, 224
parody 9, 26, 89, 90, 95-96, 98, 114, 125, 137,
143, 179 n.4, 192 n.38
Parody, Clare 11, 15, 161-163, 170, 172, 197
Participation see audience participation
participatory culture 14, 16 n.20, 20, 24, 32,
39, 41, 44, 51, 92, 102, 104, 169-170
pastiche 26, 65, 77, 90, 94-98, 100-102, 105,
179 n.4
PC games see video games
players 59, 124, 143, 195, 206, 217, 219-220, 224
popularity
of an author 114, 154
of a song 40, 116, 119, 121
possible worlds 167, 170, 172, 178
possible worlds theory 167
postmodernism 26, 183, 185, 189
property see intellectual property
prequels 60-61, 63, 66, 79-81, 159-160, 219
press 150-151, 153, 223
British press 134, 151
gaming press 223
press announcement 80
press attention 134
press baron 139
press power 149
press speculation 148
sensationalist press 141-142
tabloid press 141-143, 146
producers, professional media 8, 14-15, 22, 24,
32, 46, 63, 79, 92, 94, 97, 113-114, 122, 124, 135,
148, 151, 194, 209, 215
production
cultural production 14, 32-33, 39-40,
42-43, 46-48, 88, 91-92
media production see media, media
production
production companies 79, 204, 213, 223
products see media, media products
purity
in adaptation studies 172
of cult film canons 95
pure original 36
reception 8-10, 14-15, 27, 33, 41, 47, 51-52, 61,
66-67, 74-75, 78, 81-82, 90, 105-160
remakes 43, 167-168, 170
remediation 7, 32, 51, 166-168, 170
re-versionings 166, 170
Rumelt, Judith see Clare, Cassandra
Sanders, Julie 13, 19, 42, 65-66, 180
Second World War 204-205, 207, 216-217,
220-221
self-made see fan-made
Sherlock (BBC Series) 19, 23, 25, 133-154
showrunners 15, 25, 135-136, 153
social media 72-73, 78-79, 89-90, 113, 127-128, 192
socialism 26, 151, 203, 206-207, 216, 218,
220-222, 224
source
source material 135, 153
source text 13, 19, 31, 62, 145, 147, 153
story elements 14, 74, 179, 196-197
story franchises 178, 180
storylines 95, 136, 160, 169
Star Wars 13, 20, 23, 90, 93, 94-98, 101-102, 104,
171, 183, 196
storyworlds see fictional worlds
tabloid see press, tabloid press
television 16-17, 21, 25, 41, 49, 60, 70, 75-78, 112,
114, 120–121, 135, 137, 139, 144–145, 147, 149,
151-153, 161, 179, 183, 194
complex TV 25, 145
television shows 25, 60, 70, 112, 121, 147,
151, 179, 183
TV see television
toys 25, 68, 164, 176, 181, 183-184, 189, 194-195,
197-198
transmediality 13, 17, 21-22, 41, 63, 105, 161-163,
171, 178, 184, 187, 195-196, 198, 204
transmedia storytelling 12, 88, 92, 94, 96,
99, 100, 118, 161, 163, 170, 176, 178, 183-184,
197
transmedial franchises 11, 105, 204
transmedial worlds 162-163
complexity of transmedia worlds and
franchises 170-172, 180
Tumblr 62, 78-79, 146
Twilight 23, 58-60, 63, 65, 68-69, 75-76, 79,
81-82
user-made see fan-made
Victorianism 138-140, 145
video games 9, 13, 15-18, 21, 26, 41, 61, 161,
163-166, 170, 184, 195, 203-223
viewers see audiences
villains 71, 134, 139, 140, 142
Wolf, Mark 11, 12 n.11, 161 n.5, 162 n.8, 163, 167
n.16, 168 n.22
Wolfenstein franchise 26, 203-228
writers see authors
YouTube
framing in YouTube cover songs 122, 125,
126
YouTube cover culture 12-21, 79
YouTube cover songs 15-16, 24, 112-128
YouTube videos 115, 121-122, 194
YoutTube viewers 128
YouTube performers 128
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