index
231
169 n.26, 170, 171, 182 n.11, 184, 194, 195,
196, 197, 203-224
gaps
gaps in transmedia storyworlds 12 n.11,
25, 166
narrative gaps 64, 67, 166, 167-169, 197
Gatiss, Mark and Steven Moffat 24, 133, 134,
135, 136, 150
Grahame-Smith, Seth 96, 98, 101-102
Gray, Jonathan 22, 87, 105
graphic novels see comics and graphic novels
Harry Potter 23, 58-60, 64-65, 71, 80, 81
heroes 149
heroicization 222-223
subversive hero 184
trickster hero 137
heterogeneity 50, 119, 160, 167, 170-171
historicism 138, 204, 206, 221
Hollywood 21, 136, 179
Hutcheon, Linda 7, 13, 16-17, 34-37, 39, 50,
61-62, 64-67, 170
Intention see authorship, authorial
intentions
intermediality 37, 161, 176
internet 7, 9, 16, 47, 64, 75, 90, 197
incoherence
incoherence of franchise worlds 171–172
semantic indeterminacies 166-169
semantic inconsistencies 161, 166
intellectual property 11, 23, 24, 105, 182 n.13
interdisciplinarity see collaboration,
collaboration between disciplines
intertextuality 9, 12, 42-43, 96, 176
intertextual references 70-71, 78, 95
historical references 207, 209, 219-224
interviews 75-76, 101, 117, 137, 147-149, 159, 223
irony 26, 93, 181-184, 191
autoreflexive irony 26, 176, 183
James, E.L. 20, 23, 24, 58, 59, 67-71, 75-78, 80-82
Jenkins, Henry 11, 12, 14, 15, 32, 39, 44, 47, 62
n.12, 92, 99, 137, 148-149, 160, 165, 170, 171,
180, 183, 188, 197
Johnson, Boris 143-144, 154
lead writers see authors, lead writers
legal aspects and regulations of adaptations
and franchises 8, 15, 20, 22, 24, 26, 32, 94,
105, 160 n.3, 164-165, 169, 204-216, 222-224
LEGO 13, 20, 25-26, 175-202
Leonard, Erika see James, E.L.
liminality 74, 144
markets 91, 93, 154, 176, 189, 195-198
book market 58-61, 69, 71, 80-81
commercial market 68, 72-73
e-book market 74
German market 26, 204-205, 207, 209, 213,
216, 220
global market 52, 154, 187
labour market 25, 195
market deregulation 25, 186-187
market dependence 187
market logic 182
market value 95
market segments 183
print market 75
media
media convergence 23, 44, 163, 169, 176;
see also convergence culture
media environment see adaptation
environment
media industry 14-15, 20-21, 24, 40,
44-45, 51, 72, 73, 92, 113-123, 128, 147, 151,
176-177, 182-184, 187, 189-191, 196-197,
208-209
media production 47, 119
media products 32, 74, 83, 87
media studies 24, 33
merchandise 68, 137, 162-164
modernism 77, 93, 138, 140, 145, 147, 182,
205-206
modernization 133-134, 138-139
Moffat, Steven see Gatiss, Mark and Steven
Moffat
Mortal Instruments, The 23, 58, 60, 70-71,
73-74, 77-82
multimediality 118, 162, 163
music videos 24, 112-113, 116-126
myths and mythologization 26, 204-207,
216-217, 220-223
narration 165, 166
narrative 11, 17, 21, 25-26, 34, 36-37, 58, 60, 64,
68-69, 74-75, 77-78, 81-82, 94, 134, 139, 145,
150, 153-154, 161-162, 164-166, 170-171, 176, 180,
183, 195-198, 207, 209-210, 213, 216, 219
core narratives 12, 35, 41
etiological narratives 48, 101, 206, 221
narrative cohesion see cohesion
narrative franchised 176, 183, 197
narrative gaps 25, 166
narrative plots 13-14, 16, 63, 67, 70, 160, 170,
176-177, 179-180, 203, 216, 218-219, 221
narrative processes 51
narrative strategies 205
narrative worlds see storyworlds
mythical narratives 206
neoliberalism 15, 25-26, 144, 151-152, 154,
183-184, 186, 192
news 47, 134, 138-139, 142-143, 152-153
newspapers 10, 139, 141-144, 151, 160
novelizations 101, 105, 161, 163-164, 168
novels 7, 13, 15, 17, 20-24, 26, 32, 38, 41, 45,
48, 52, 57-82, 87-105, 112, 120, 137, 138, 161,
164-166, 196, 203
O’Flynn, Siobhan 11, 20, 62
originality 68, 70, 71, 82, 165
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