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A. Condello
19. Jansen AM (2016) Defining Moroccanness: the aesthetics and politics of contemporary
Moroccan fashion design. J Northern Afr Stud 21(1):132–147
20. Joliffe L (2004) The lure of tea; history, traditions and attractions. In: Hall M et al (eds) Food
tourism around the world: development, management and markets. Routledge, London, pp
121–136
21. Kassia SC (2018) The golden thread. John Murray Publishers, London
22. Khalid M (2019) Urban restructuring, power and capitalism in the tourist city: contested terrains
of Marrakech. Routledge, London
23. Kidder-Smith GE (1955) North African scrapbook: Morocco. Architect Rev 118(705):177–185
24. Koolhaas R (2002) Junkspace. In: Chung J, Inaba J et al (eds) Harvard school of design guide
to shopping. Taschen GmbH, Koln
25. Koolhaas R (2001) Junkspace. https://www.readingdesign.org/junkspace. Accessed 27 Aug
2019
26. Kouskou T, Allouhi A et al (2015) Renewable energy potential and national policy directions
for sustainable development in Morocco. Renew Sustain Energy Rev (47):46–57
27. Lamzah A (2008) The impact of the French protectorate on cultural heritage management in Morocco: the case of Marrakech. Ph.D. dissertation, University of Illinois at
Urbana-Champaign, Illinois, USA
28. Marie-Rose R, Sorber F (2007) Berber costumes of Morocco: traditional patterns. ACR Edition,
Paris
29. Marty O, Fornier K (2017) Studio KO. Rizzoli International, New York
30. McDougall J (2003) Myth and counter-myth: the ‘Berber’ as national signifiers in Algerian
historiographies. Rad History Rev Spring 86:66–88
31. Meffre G, Delgado B (2012) Un Urbanisme experimental: Les villes nouvelles Marocaines
(1912–1965), la Foundation Jardin Majorelle. Senso Unico Editions, Marrakech
32. Miller AV (2018) Tents, palaces, and ‘imperial souvenirs’: mobilizing cultural authority in the
French protectorate of Morocco. J Middle East Africa 9(1):51–75
33. Moine R (2017) Saint Laurent on screen: fashion icon, doomed artist, or celebrity? Fashion
Theory 21(6):733–748
34. Nicholas Claire (2014) Of texts and textiles…: colonial ethnography and contemporary
Moroccan heritage. J North African Stud 19(3):390–412
35. Nicolin P (2018) How can I not think about you in Marrakech? In: Domus, no. 1026. https://
www.domusweb.it/en/issues/2018/1026.html. Accessed 05 May 2019
36. O’Kelly E (2017) Less is more: the Yves Saint Laurent Museum is set to be a lesson in restrained
elegance, Wallpaper*. https://www.wallpaper.com/author/emma-okelly/6. Accessed 05 May
2019
37. Partridge E (2006) The new Partridge dictionary of slang and unconventional English, edited
by Terry Victor. Routledge, London
38. Pulice M (2006) Machines for making bricks in America, 1800–1850, The Chronicle of the
early American industries associations, vol 59, no 2, pp 53–58
39. Ringer R (2019) Turning up the heat: Sydney’s 19th century brickyards. Bricks to build a
town in Australian Society for the Study of Labour History, https://www.labourhistory.org.au/
hummer/the-hummer-vol-8-no-1-2012/brickyardssydney/. Accessed 30 Oct 2019
40. Risatti H (2007) A theory of craft: function and aesthetic expression. The University of North
California Press, Chapel Hill
41. Saint Laurent Y (1998) Yves Saint Laurent and fashion photography, te Neues Publishing
Company
42. Sennett R (2008) The craftsman. Allen Lane, Great Britain
43. Vandenabeele (2015) The sublime in art: Kant, the mannerist, and the matterist sublime. J
Aesthetic Educ 49(3):32–49
44. Wiesing L (2019) A philosophy of luxury. Routledge, London
A. Condello
19. Jansen AM (2016) Defining Moroccanness: the aesthetics and politics of contemporary
Moroccan fashion design. J Northern Afr Stud 21(1):132–147
20. Joliffe L (2004) The lure of tea; history, traditions and attractions. In: Hall M et al (eds) Food
tourism around the world: development, management and markets. Routledge, London, pp
121–136
21. Kassia SC (2018) The golden thread. John Murray Publishers, London
22. Khalid M (2019) Urban restructuring, power and capitalism in the tourist city: contested terrains
of Marrakech. Routledge, London
23. Kidder-Smith GE (1955) North African scrapbook: Morocco. Architect Rev 118(705):177–185
24. Koolhaas R (2002) Junkspace. In: Chung J, Inaba J et al (eds) Harvard school of design guide
to shopping. Taschen GmbH, Koln
25. Koolhaas R (2001) Junkspace. https://www.readingdesign.org/junkspace. Accessed 27 Aug
2019
26. Kouskou T, Allouhi A et al (2015) Renewable energy potential and national policy directions
for sustainable development in Morocco. Renew Sustain Energy Rev (47):46–57
27. Lamzah A (2008) The impact of the French protectorate on cultural heritage management in Morocco: the case of Marrakech. Ph.D. dissertation, University of Illinois at
Urbana-Champaign, Illinois, USA
28. Marie-Rose R, Sorber F (2007) Berber costumes of Morocco: traditional patterns. ACR Edition,
Paris
29. Marty O, Fornier K (2017) Studio KO. Rizzoli International, New York
30. McDougall J (2003) Myth and counter-myth: the ‘Berber’ as national signifiers in Algerian
historiographies. Rad History Rev Spring 86:66–88
31. Meffre G, Delgado B (2012) Un Urbanisme experimental: Les villes nouvelles Marocaines
(1912–1965), la Foundation Jardin Majorelle. Senso Unico Editions, Marrakech
32. Miller AV (2018) Tents, palaces, and ‘imperial souvenirs’: mobilizing cultural authority in the
French protectorate of Morocco. J Middle East Africa 9(1):51–75
33. Moine R (2017) Saint Laurent on screen: fashion icon, doomed artist, or celebrity? Fashion
Theory 21(6):733–748
34. Nicholas Claire (2014) Of texts and textiles…: colonial ethnography and contemporary
Moroccan heritage. J North African Stud 19(3):390–412
35. Nicolin P (2018) How can I not think about you in Marrakech? In: Domus, no. 1026. https://
www.domusweb.it/en/issues/2018/1026.html. Accessed 05 May 2019
36. O’Kelly E (2017) Less is more: the Yves Saint Laurent Museum is set to be a lesson in restrained
elegance, Wallpaper*. https://www.wallpaper.com/author/emma-okelly/6. Accessed 05 May
2019
37. Partridge E (2006) The new Partridge dictionary of slang and unconventional English, edited
by Terry Victor. Routledge, London
38. Pulice M (2006) Machines for making bricks in America, 1800–1850, The Chronicle of the
early American industries associations, vol 59, no 2, pp 53–58
39. Ringer R (2019) Turning up the heat: Sydney’s 19th century brickyards. Bricks to build a
town in Australian Society for the Study of Labour History, https://www.labourhistory.org.au/
hummer/the-hummer-vol-8-no-1-2012/brickyardssydney/. Accessed 30 Oct 2019
40. Risatti H (2007) A theory of craft: function and aesthetic expression. The University of North
California Press, Chapel Hill
41. Saint Laurent Y (1998) Yves Saint Laurent and fashion photography, te Neues Publishing
Company
42. Sennett R (2008) The craftsman. Allen Lane, Great Britain
43. Vandenabeele (2015) The sublime in art: Kant, the mannerist, and the matterist sublime. J
Aesthetic Educ 49(3):32–49
44. Wiesing L (2019) A philosophy of luxury. Routledge, London