402
DYNAMICAL OCEANOGRAPHY
Copyright Acknowledgements
I gratefully acknowledge the following copyright holders who have kindly
provided permission to reproduce the figures indicated. Sources of all figures are
also referenced in each figure caption.
Chapter 1: Opening; Composer: F. Sor; Title: Estudio No. 1 Copyright and Publisher: Edward B. Marks Music Company, USA, 1945. Permission by Albersen
Muziek, the Hague, The Netherlands. ♯ Chapter 2: Opening; Composer: F. Tarrega; Title: Preludio (Lagrima); Copyright and Publisher: Daniel Forea, Madrid,
1930. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Fig. 2.4a
by Springer-Verlag (Peixoto and Oort, 1992). ♯ Fig. 2.5 by Nature (Ganachaud
and Wunsch, 2000), copyright (2000) Macmillan Magazines Ltd. ♭ Fig. 2.6 by
Nature (Ganachaud and Wunsch, 2000), copyright (2000) Macmillan Magazines
Ltd. ♯ Fig. 2.7, by AMS (Wijffels et al., 1992). ♭ Fig. 2.8, by AGU (Dijkstra and Ghil, 2005). ♯ Chapter 3: Opening; Composer E. Pujol; Title: El
Abejorro; Copyright and Publisher: Ricordi Americana S.A.E.C. Buenos Aires,
1955. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Chapter
4: Opening; Composer M. Ponce; Title: Prelude IX; Copyright and Publisher: B.
Schott’s S¨ ohne, Mainz, 1930. Permission by Albersen Muziek, the Hague, The
Netherlands. ♯ Chapter 5: Opening; Composer L. Brouwer; Title: Berceuse;
Copyright and Publisher: Editions Max Eschig, 1978. Permission by Albersen
Muziek, the Hague, The Netherlands. ♭ Chapter 6: Opening; Composer L.
Brouwer; Title: Pieza Sin Titulo; Copyright and Publisher: Editions Max Eschig,
1972. Permission by Albersen Muziek, the Hague, The Netherlands. ♯ Chapter
7: Opening; Composer G. Garcia; Title: Etude No. 4; Copyright and Publisher:
Mel Bay Publications, Inc. USA, 1995. Permission by Albersen Muziek, the
Hague, The Netherlands. ♭ Chapter 8: Opening; Composer B. Calatayud; Title: Bolero; Copyright and Publisher: Union Musical Espanola, Madrid, 1962.
Permission by Albersen Muziek, the Hague, The Netherlands. ♯ Chapter 9:
Opening; Composer A. Lauro; Title: Valse Venezolano No. 2; Copyright and
Publisher: Ricordi Americana S.A.E.C. Buenos Aires, 1964. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Chapter 10: Opening; Composer
E. Granados; Title: Valses Poeticos No. 1; Copyright and Publisher: Union Musical Espaniola, Madrid, 1926. Permission by Albersen Muziek, the Hague, The
Netherlands. ♯ Chapter 11: Opening; Composer J. Sagrerias; Title: El Colibri;
Copyright and Publisher: Ricordi Americana S.A.E.C. Buenos Aires, 1954. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Fig. 11.3byAMS
(Wyrtki and Koblinksky, 1984). ♯ Fig. 11.5 by AMS (Wyrtki and Koblinksky,
1984). ♭ Fig. 11.13 by AGU (Neelin et al., 1998). ♯ Chapter 12: Opening;
Composer: H. Villa-Lobos; Title: Suite Polulaire Br´ esilienne, No. 4; Copyright
and Publisher: Editions Max Eschig, 1990; Permission by Albersen Muziek, the
DYNAMICAL OCEANOGRAPHY
Copyright Acknowledgements
I gratefully acknowledge the following copyright holders who have kindly
provided permission to reproduce the figures indicated. Sources of all figures are
also referenced in each figure caption.
Chapter 1: Opening; Composer: F. Sor; Title: Estudio No. 1 Copyright and Publisher: Edward B. Marks Music Company, USA, 1945. Permission by Albersen
Muziek, the Hague, The Netherlands. ♯ Chapter 2: Opening; Composer: F. Tarrega; Title: Preludio (Lagrima); Copyright and Publisher: Daniel Forea, Madrid,
1930. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Fig. 2.4a
by Springer-Verlag (Peixoto and Oort, 1992). ♯ Fig. 2.5 by Nature (Ganachaud
and Wunsch, 2000), copyright (2000) Macmillan Magazines Ltd. ♭ Fig. 2.6 by
Nature (Ganachaud and Wunsch, 2000), copyright (2000) Macmillan Magazines
Ltd. ♯ Fig. 2.7, by AMS (Wijffels et al., 1992). ♭ Fig. 2.8, by AGU (Dijkstra and Ghil, 2005). ♯ Chapter 3: Opening; Composer E. Pujol; Title: El
Abejorro; Copyright and Publisher: Ricordi Americana S.A.E.C. Buenos Aires,
1955. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Chapter
4: Opening; Composer M. Ponce; Title: Prelude IX; Copyright and Publisher: B.
Schott’s S¨ ohne, Mainz, 1930. Permission by Albersen Muziek, the Hague, The
Netherlands. ♯ Chapter 5: Opening; Composer L. Brouwer; Title: Berceuse;
Copyright and Publisher: Editions Max Eschig, 1978. Permission by Albersen
Muziek, the Hague, The Netherlands. ♭ Chapter 6: Opening; Composer L.
Brouwer; Title: Pieza Sin Titulo; Copyright and Publisher: Editions Max Eschig,
1972. Permission by Albersen Muziek, the Hague, The Netherlands. ♯ Chapter
7: Opening; Composer G. Garcia; Title: Etude No. 4; Copyright and Publisher:
Mel Bay Publications, Inc. USA, 1995. Permission by Albersen Muziek, the
Hague, The Netherlands. ♭ Chapter 8: Opening; Composer B. Calatayud; Title: Bolero; Copyright and Publisher: Union Musical Espanola, Madrid, 1962.
Permission by Albersen Muziek, the Hague, The Netherlands. ♯ Chapter 9:
Opening; Composer A. Lauro; Title: Valse Venezolano No. 2; Copyright and
Publisher: Ricordi Americana S.A.E.C. Buenos Aires, 1964. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Chapter 10: Opening; Composer
E. Granados; Title: Valses Poeticos No. 1; Copyright and Publisher: Union Musical Espaniola, Madrid, 1926. Permission by Albersen Muziek, the Hague, The
Netherlands. ♯ Chapter 11: Opening; Composer J. Sagrerias; Title: El Colibri;
Copyright and Publisher: Ricordi Americana S.A.E.C. Buenos Aires, 1954. Permission by Albersen Muziek, the Hague, The Netherlands. ♭ Fig. 11.3byAMS
(Wyrtki and Koblinksky, 1984). ♯ Fig. 11.5 by AMS (Wyrtki and Koblinksky,
1984). ♭ Fig. 11.13 by AGU (Neelin et al., 1998). ♯ Chapter 12: Opening;
Composer: H. Villa-Lobos; Title: Suite Polulaire Br´ esilienne, No. 4; Copyright
and Publisher: Editions Max Eschig, 1990; Permission by Albersen Muziek, the