434
References
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Proc. International Congress on Acoustics, Rome.
Vergez, C. and Rodet, X. (2001b). Trumpet and trumpet player: a highly nonlinear interaction
studied in the framework of nonlinear dynamics. Int. J. Bifurcat. Chaos 11, 1801–1814.
Vilain, C. E., Pelorson, X., Hirschberg, A., Le Marrec, L., Op’t Root, W. and Willems, J. (2003).
Contributions to the physical modelling of the lips. Influence of the mechanical boundary
conditions. Acta Acust. United Ac. 89, 882–887.
von Steiger, A., Senn, M., Tuchschmid, M., Leber, H. J., Lehmann, E. and Mannes, D. (2013).
Can we look over the shoulders of historical brasswind instrument makers? Aspects of the
materiality of nineteenth-century brass instruments in France. Historic Brass Society Journal
25, 21–38, 10.2153/0120130011002.
Walther, J. G. (1732). Musicalisches Lexicon. Leipzig, Wolfgang Deer.
Watkinson, P. S. and Bowsher, J. M. (1982). Vibration characteristics of brass instrument bells, J.
Sound Vib. 85, 1–17.
Watkinson, P. S., Shepherd, R. and Bowsher, J. M. (1982). Acoustic energy losses in brass
instruments. Acustica 51, 213–221.
Watson, A. (2019). Breathing. In The Cambridge Encyclopedia of Brass Instruments, eds.
Herbert, T., Myers, A. and Wallace, J. Cambridge University Press.
Webster, J. C. (1947). An electrical method of measuring the intonation of cup-mouthpiece
instruments. J. Acoust. Soc. Am. 19, 902–906.
Whitehouse, J. W., Sharp, D. B. and Hill, T. J. W. (2003). Wall vibrations in wind instruments. IOA
Acoustics Bulletin 28, 20–23.
Widholm, G. (1995). Brass wind instrument quality measured and evaluated by a new computer
system. In Proc. 15th International Congress on Acoustics, Trondheim, Norway, Vol. III, 517–
520.
Widholm, G. (2005). The Vienna horn – a historical relict successfully used by top orchestras of
the 21st century. Proc. Forum Acusticum, Budapest, 441–445.
Wilson, T. A. and Beavers, G. S. (1974). Operating modes of the clarinet. J. Acoust. Soc. Am. 56,
653–658, https://doi.org/10.1121/1.1903304.
Wogram, K. (1972). Ein Beitrag zur Ermittlung der Stimmung von Blechblasinstrument Dr.-Ing.
diss., Technischen Universitat Carolo-Wilhelmina zu Braunschweig.
Wolfe, J. and Smith, J. (2008). Acoustical coupling between lip valves and vocal folds. Acoust.
Aust. 36, 23–27.
Wolfe, J., Fletcher, N. H. and Smith, J. (2015). The interactions between wind instruments and
their players. Acta Acust. United Ac. 101, 211–233, https://doi.org/10.3813/AAA.918820.
Woodhouse, J. (1993). On the playability of violins. Part I: Reflection functions. Acustica 78, 125–
136.
Worman, W.E. (1971). Self-sustained non-linear oscillations of medium amplitude in clarinet-like
systems. Ph.D. thesis, Case Western Reserve University, Cleveland.
Yoshikawa, S. (1995) Acoustical behaviour of brass player’s lips. J. Acoust. Soc. Am. 97, 1929–
1939, https://doi.org/10.1121/1.412066.
Yoshikawa, S. and Muti, Y. (2003). Lip wave generation in horn players and the estimation of
lip-tissue elasticity. Acta Acust. United Ac. 89, 145–162.
Yoshikawa, S. and Nobara, N. (2017). Acoustical modeling of mutes for brass instruments. In
Schneider, A. (Ed.), Studies in Musical Acoustics and Psychoacoustics, Current Research in
Systematic Musicology 4. New York: Springer, 143–186, https://doi.org/10.1007/978-3-31947292-8.
Ziolkowski, J. (2002). The Roman Bucina: a distinct musical instrument? Historic Brass Society
Journal 14, 31–58.
Zorumski, W. E. (1973). Generalized radiation impedances and reflection coefficients of circular
and annular ducts. J. Acoust. Soc. Am. 54, 1667–1673, https://doi.org/10.1121/1.1914466.
Zwicker, G. and Kosten, C. (1949) Sound Absorbing Materials. Amsterdam, Elsevier.
References
Vergez, C. and Rodet, X. (2001a). Trumpet and trumpeter: physical modelling for sound synthesis.
Proc. International Congress on Acoustics, Rome.
Vergez, C. and Rodet, X. (2001b). Trumpet and trumpet player: a highly nonlinear interaction
studied in the framework of nonlinear dynamics. Int. J. Bifurcat. Chaos 11, 1801–1814.
Vilain, C. E., Pelorson, X., Hirschberg, A., Le Marrec, L., Op’t Root, W. and Willems, J. (2003).
Contributions to the physical modelling of the lips. Influence of the mechanical boundary
conditions. Acta Acust. United Ac. 89, 882–887.
von Steiger, A., Senn, M., Tuchschmid, M., Leber, H. J., Lehmann, E. and Mannes, D. (2013).
Can we look over the shoulders of historical brasswind instrument makers? Aspects of the
materiality of nineteenth-century brass instruments in France. Historic Brass Society Journal
25, 21–38, 10.2153/0120130011002.
Walther, J. G. (1732). Musicalisches Lexicon. Leipzig, Wolfgang Deer.
Watkinson, P. S. and Bowsher, J. M. (1982). Vibration characteristics of brass instrument bells, J.
Sound Vib. 85, 1–17.
Watkinson, P. S., Shepherd, R. and Bowsher, J. M. (1982). Acoustic energy losses in brass
instruments. Acustica 51, 213–221.
Watson, A. (2019). Breathing. In The Cambridge Encyclopedia of Brass Instruments, eds.
Herbert, T., Myers, A. and Wallace, J. Cambridge University Press.
Webster, J. C. (1947). An electrical method of measuring the intonation of cup-mouthpiece
instruments. J. Acoust. Soc. Am. 19, 902–906.
Whitehouse, J. W., Sharp, D. B. and Hill, T. J. W. (2003). Wall vibrations in wind instruments. IOA
Acoustics Bulletin 28, 20–23.
Widholm, G. (1995). Brass wind instrument quality measured and evaluated by a new computer
system. In Proc. 15th International Congress on Acoustics, Trondheim, Norway, Vol. III, 517–
520.
Widholm, G. (2005). The Vienna horn – a historical relict successfully used by top orchestras of
the 21st century. Proc. Forum Acusticum, Budapest, 441–445.
Wilson, T. A. and Beavers, G. S. (1974). Operating modes of the clarinet. J. Acoust. Soc. Am. 56,
653–658, https://doi.org/10.1121/1.1903304.
Wogram, K. (1972). Ein Beitrag zur Ermittlung der Stimmung von Blechblasinstrument Dr.-Ing.
diss., Technischen Universitat Carolo-Wilhelmina zu Braunschweig.
Wolfe, J. and Smith, J. (2008). Acoustical coupling between lip valves and vocal folds. Acoust.
Aust. 36, 23–27.
Wolfe, J., Fletcher, N. H. and Smith, J. (2015). The interactions between wind instruments and
their players. Acta Acust. United Ac. 101, 211–233, https://doi.org/10.3813/AAA.918820.
Woodhouse, J. (1993). On the playability of violins. Part I: Reflection functions. Acustica 78, 125–
136.
Worman, W.E. (1971). Self-sustained non-linear oscillations of medium amplitude in clarinet-like
systems. Ph.D. thesis, Case Western Reserve University, Cleveland.
Yoshikawa, S. (1995) Acoustical behaviour of brass player’s lips. J. Acoust. Soc. Am. 97, 1929–
1939, https://doi.org/10.1121/1.412066.
Yoshikawa, S. and Muti, Y. (2003). Lip wave generation in horn players and the estimation of
lip-tissue elasticity. Acta Acust. United Ac. 89, 145–162.
Yoshikawa, S. and Nobara, N. (2017). Acoustical modeling of mutes for brass instruments. In
Schneider, A. (Ed.), Studies in Musical Acoustics and Psychoacoustics, Current Research in
Systematic Musicology 4. New York: Springer, 143–186, https://doi.org/10.1007/978-3-31947292-8.
Ziolkowski, J. (2002). The Roman Bucina: a distinct musical instrument? Historic Brass Society
Journal 14, 31–58.
Zorumski, W. E. (1973). Generalized radiation impedances and reflection coefficients of circular
and annular ducts. J. Acoust. Soc. Am. 54, 1667–1673, https://doi.org/10.1121/1.1914466.
Zwicker, G. and Kosten, C. (1949) Sound Absorbing Materials. Amsterdam, Elsevier.