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Macaluso, C. A. and Dalmont, J. P. (2011) Trumpet with near-perfect Harmonicity: Design and
acoustic results, J. Acoust. Soc. Am. 129, 404–414. https://doi.org/10.1121/1.3518769.
Macdonald, H. (2002). Berlioz’s Orchestration Treatise: a Translation and Commentary. Cambridge University Press.
Maganza, C., Caussé, R. and Laloë, F. (1986). Bifurcations, period doubling and chaos in clarinet
like systems. EPL 1, 295–302.
Maniquet, C,. Lejars, T., Armbruster, B., Pernot, M., Drieux-Daguerre, M., Mora, P. and
Espinasse, L. (2011). Le carnyx et le casque-oiseau celtiques de Tintignac (Naves-Corrèze).
Description et étude technologique. Aquitania 27, 63–150.
Manneville, P. (2010). Instabilities, Chaos and Turbulence, 2nd. Ed., London, Imperial College
Press.
Martin, D. W. (1942). Lip vibrations in a cornet mouthpiece. J. Acoust. Soc. Am. 13, 305–308,
https://doi.org/10.1121/1.1902242.
Maugeais, S. and Gilbert, J. (2017). Nonlinear acoustic propagation applied to brassiness studies,
a new simulation tool in the time domain. Acta Acust. United Ac. 103, 67–79, https://doi.org/
10.3813/AAA.919034.
McGurk, H. and MacDonald, J. (1976). Hearing lips and seeing voices. Nature 264, 746–748.
McIntyre, M. E., Schumacher, R. T. and Woodhouse, J. (1983). On the oscillations of musical
instruments. J. Acoust. Soc. Am. 74, 1325–1345, https://doi.org/10.1121/1.390157.
Menguy, L. and Gilbert, J. (2000). Weakly non-linear gas oscillations in air-filled tubes; solutions
and experiments. Acta Acust. United Ac. 86, 798–810.
Mersenne, M. (1635). Harmonicorum libri XII, Paris.
Meurisse, T., Mamou-Mani, A., Benacchio, S., Chomette, B., Finel, V., Sharp, D. and Caussé, R.
(2015). Experimental demonstration of the modification of the resonances of a simplified selfsustained wind instrument through modal active control. Acta Acust. United Ac. 101, 581–593,
https://doi.org/10.3813/AAA.918854.
Meurisse, T., Mamou-Mani, A., Caussé, R., Sluchin, B. and Sharp, D. (2015). An active mute for
the trombone. J. Acoust. Soc. Am. 138, 3539–3548, https://doi.org/10.1121/1.4936901.
Meyer, J. (2009). Acoustics and the Performance of Music, 5th Edn., English transl. Hansen, U.
New York, Springer.
Meyer, J. and Wogram, K. (1969). Die Richtcharakteristiken des Hornes. Das Musikinstrument
18(6), 1.
Meyer, J. and Wogram, K. (1970). Die Richtcharakteristiken von Trompete, Posaune und Tuba.
Das Musikinstrument 19, 171.
Miklós, A., Angster, J., Pitsch, S. and Rossing, T. D. (2003). Reed vibration in lingual organ
pipes without the resonators. J. Acoust. Soc. Am. 113, 1081–1091, https://doi.org/10.1121/
1.1534101.
Miller, D. C. (1909). The influence of the material of wind instruments on the tone quality. Science
29, 151–171.
Miranda, E. R. and Wanderley, M. M. (2006). New Digital Instruments: Control and Interaction
Beyond the Keyboard. Middleton, Wisconsin, A-R Editions.
Moore, T. R., Kaplon, J., McDowall, G. and Martin, K. (2002). Vibrational modes of trumpet bells.
J. Sound Vib. 254, 777–786.
Moore, T. R., Shirley, E. T., Codrey, I. E. W. and Daniels, A. E. (2005). The effects of bell vibrations
on the sound of the modern trumpet. Acta Acust. United Ac. 91, 578–589.
Moore, T. R., Gorman, B. R., Rokni, M., Kausel, W. and Chatziioannou, V. (2015). Axial vibrations
of brass wind instrument bells and their acoustical influence: Experiments. J. Acoust. Soc. Am.
138, 1233–1240, https://doi.org/10.1121/1.4928138.
Morrill, D. and Cook, P. R. (1989). Hardware, software, and composition tools for a real-time
improvised solo trumpet work. Proc. 1989 International Computer Music Conference, 211–
214.
Msallam, R., Dequidt, S., Caussé, R. and Tassart, S. (2002). Physical model of the trombone
including nonlinear effects. Application to sound synthesis of loud tones. Acta Acust. United
Ac. 86, 725–736.
429
Macaluso, C. A. and Dalmont, J. P. (2011) Trumpet with near-perfect Harmonicity: Design and
acoustic results, J. Acoust. Soc. Am. 129, 404–414. https://doi.org/10.1121/1.3518769.
Macdonald, H. (2002). Berlioz’s Orchestration Treatise: a Translation and Commentary. Cambridge University Press.
Maganza, C., Caussé, R. and Laloë, F. (1986). Bifurcations, period doubling and chaos in clarinet
like systems. EPL 1, 295–302.
Maniquet, C,. Lejars, T., Armbruster, B., Pernot, M., Drieux-Daguerre, M., Mora, P. and
Espinasse, L. (2011). Le carnyx et le casque-oiseau celtiques de Tintignac (Naves-Corrèze).
Description et étude technologique. Aquitania 27, 63–150.
Manneville, P. (2010). Instabilities, Chaos and Turbulence, 2nd. Ed., London, Imperial College
Press.
Martin, D. W. (1942). Lip vibrations in a cornet mouthpiece. J. Acoust. Soc. Am. 13, 305–308,
https://doi.org/10.1121/1.1902242.
Maugeais, S. and Gilbert, J. (2017). Nonlinear acoustic propagation applied to brassiness studies,
a new simulation tool in the time domain. Acta Acust. United Ac. 103, 67–79, https://doi.org/
10.3813/AAA.919034.
McGurk, H. and MacDonald, J. (1976). Hearing lips and seeing voices. Nature 264, 746–748.
McIntyre, M. E., Schumacher, R. T. and Woodhouse, J. (1983). On the oscillations of musical
instruments. J. Acoust. Soc. Am. 74, 1325–1345, https://doi.org/10.1121/1.390157.
Menguy, L. and Gilbert, J. (2000). Weakly non-linear gas oscillations in air-filled tubes; solutions
and experiments. Acta Acust. United Ac. 86, 798–810.
Mersenne, M. (1635). Harmonicorum libri XII, Paris.
Meurisse, T., Mamou-Mani, A., Benacchio, S., Chomette, B., Finel, V., Sharp, D. and Caussé, R.
(2015). Experimental demonstration of the modification of the resonances of a simplified selfsustained wind instrument through modal active control. Acta Acust. United Ac. 101, 581–593,
https://doi.org/10.3813/AAA.918854.
Meurisse, T., Mamou-Mani, A., Caussé, R., Sluchin, B. and Sharp, D. (2015). An active mute for
the trombone. J. Acoust. Soc. Am. 138, 3539–3548, https://doi.org/10.1121/1.4936901.
Meyer, J. (2009). Acoustics and the Performance of Music, 5th Edn., English transl. Hansen, U.
New York, Springer.
Meyer, J. and Wogram, K. (1969). Die Richtcharakteristiken des Hornes. Das Musikinstrument
18(6), 1.
Meyer, J. and Wogram, K. (1970). Die Richtcharakteristiken von Trompete, Posaune und Tuba.
Das Musikinstrument 19, 171.
Miklós, A., Angster, J., Pitsch, S. and Rossing, T. D. (2003). Reed vibration in lingual organ
pipes without the resonators. J. Acoust. Soc. Am. 113, 1081–1091, https://doi.org/10.1121/
1.1534101.
Miller, D. C. (1909). The influence of the material of wind instruments on the tone quality. Science
29, 151–171.
Miranda, E. R. and Wanderley, M. M. (2006). New Digital Instruments: Control and Interaction
Beyond the Keyboard. Middleton, Wisconsin, A-R Editions.
Moore, T. R., Kaplon, J., McDowall, G. and Martin, K. (2002). Vibrational modes of trumpet bells.
J. Sound Vib. 254, 777–786.
Moore, T. R., Shirley, E. T., Codrey, I. E. W. and Daniels, A. E. (2005). The effects of bell vibrations
on the sound of the modern trumpet. Acta Acust. United Ac. 91, 578–589.
Moore, T. R., Gorman, B. R., Rokni, M., Kausel, W. and Chatziioannou, V. (2015). Axial vibrations
of brass wind instrument bells and their acoustical influence: Experiments. J. Acoust. Soc. Am.
138, 1233–1240, https://doi.org/10.1121/1.4928138.
Morrill, D. and Cook, P. R. (1989). Hardware, software, and composition tools for a real-time
improvised solo trumpet work. Proc. 1989 International Computer Music Conference, 211–
214.
Msallam, R., Dequidt, S., Caussé, R. and Tassart, S. (2002). Physical model of the trombone
including nonlinear effects. Application to sound synthesis of loud tones. Acta Acust. United
Ac. 86, 725–736.