Table 1. Text analysis: visual and semantic films
No Visual Narration
Verbal Narration
Cinematic Elements
1
Ramadhan kali ini terasa
sedikit berbeda
The camera angle is subjective, its angle is
low. The object of the bridge is silhouetted
against the background of the mosque from the
green.
Ramadan is a special month for Muslims to get
closer to the almighty.
The visuals displayed are a limitation, distance,
and silence.
2
Subjective camera angles; a straight angle was
used on the camera and it uses symmetric
compositions. The object of focus is someone
praying inside the mosque.
Closed, trapped, and alienation of someone
who worships in the mosque.
3
Hari demi hari ada yang
setia berdiri demi semua
kebutuhan terpenuhi
Subjective camera angles; a straight angle is
used on the camera and it uses a symmetrical
composition with neutral screen direction. The
object of focus is a security person standing
under the bridge.
Interpreted as protection and hope.
4
Subjective camera angles; a straight angle is
used on the camera and it uses a symmetrical
composition with neutral screen direction. The
object of focus is a policeman standing on the
side of the road.
Interpreted as charm, protection, and hope.
5
Ada yang turun kejalan,
sukarela menambah
beban demi kurangi
beban sekitar
Subjective camera angles; a straight angle is
used on the camera and it uses a symmetrical
composition with neutral screen direction. The
object of focus is a nurse walking on the side
of the road.
Interpreted as caring and togetherness.
6
Subjective camera angles; a straight angle is
used on the camera and it uses a symmetrical
composition with contrasting screen direction.
The object of focus is someone ordering MC
D.
Interpreted as caring and togetherness
7
Saat jumpa bukan
menjadi pilihan
Subjective camera angles; a high camera angle
is used, and using over-shoulder withn neutral
screen direction. The object of focus is a
person having an online interaction.
Interpreted as search and happiness
8
Ada yang ikhlas
menyambung ikatan
Subjective camera angle; a high camera angle
is used, the object of focus is two children
interacting, but separated by a windowpane
between them.
Interpreted as breaking the line, subordinate
(Continued)
270
Précédent

- 285/383

Suivant