102. Centeno SA, Llado Buisan V, Ropret P (2007) Raman study of synthetic organic pigments
and dyes in early lithographic inks (1890–1920). J Raman Spectrosc 37:111–1118
103. Daher C, Bellot-Gurlet L, Le Hô AS, Paris C, Regert M (2013) Advanced discriminating
criteria for natural organic substances of cultural heritage interest: spectral decomposition
and multivariate analyses of FT-Raman and FT-IR signatures. Talanta 115:540–547
104. Daher C, Pimenta V, Bellot-Gurlet L (2014) Towards a non-invasive quantitative analysis of
the organic components in museum objects varnishes by vibrational spectroscopies:
methodological approach. Talanta 129:336–345
105. Klisinska A, Łydżba-Kopczyńska B, Czarnecka M, Koźlecki T, del Hoyo Mélendez J,
Mendys A, Kłosowska‐Klechowska, Anna Obarzanowski M, Frączek P (2018) Raman
spectroscopy as a powerful technique for the identification of polymers used in cast
sculptures from museum collections. J Raman Spectrosc. https://doi.org/10.1002/jrs.5407
(First published: 08 June 2018)
106. Van Elslande E, Lecomte S, Le Ho A-S (2008) Micro-Raman spectroscopy (MRS) and
surface-enhanced Raman scattering (SERS) on organic colourants in archaeological
pigments. J Raman Spectrosc 39:10001–11006
107. Melo MJ, Nabais P, Guimarães M, Araújo R, Castro R, Oliveira MC, Whitworth I (2016)
Organic dyes in illuminated manuscripts: a unique cultural and historic record. Philos
Trans R Soc A Math Phys Eng Sci 374:20160050
108. Pozzi F, Leona M (2016) Surface-enhanced Raman spectroscopy in art and archaeology.
J Raman Spectrosc 47:67–77
109. Kiefer W, Mazzolini AP, Stoddart PR (2007) Recent advances in linear and nonlinear
Raman spectroscopy I. J Raman Spectrosc 38:1538–1553
110. Cappa F, Pintus V, Ofner J, Schreiner M, Lendl B (2015) Raman imaging for cultural
heritage investigations. In: 8th international conference on advanced vibrational spectroscopy, Wien, 7–17th July 2015, pp 246–247
111. Antunes V, Candeias A, Mirão J, Carvalho ML, Dias CB, Manhita A, Cardoso A,
Francisco MJ, Lauw A, Manso M (2018) Analytical characterization of the palette and
painting techniques of Jorge Afonso, the great 16th century Master of Lisbon painting
workshop. Spectrochim Acta A 193:264–275
112. Christiansen MB, Sørensen MA, Sanyova J, Bendix J, Simonsen KP (2017) Characterisation
of the rare cadmium chromate pigment in a 19th century tube colour by Raman, FTIR, X-ray
and EPR. Spectrochim Acta A 208–214
113. Basso E, Invernizzi C, Malagodi M, La Russa MF, Bersani D, Lottici PP (2014)
Characterization of colorants and opacifiers in roman glass mosaic tesserae through
spectroscopic and spectrometric techniques. J Raman Spectrosc 45:238–245
114. Casadio F, Bezúr A, Fiedler I, Muir K, Trad T, MacCagnola S (2012) Pablo Picasso to
Jasper Johns: a Raman study of cobalt-based synthetic inorganic pigments. J Raman
Spectrosc 43:1761–1771
115. Otero V, Sanches D, Montagner C, Vilarigues M, Carlyle L, Lopes JA, Melo MJ (2014)
Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art.
J Raman Spectrosc 45:1197–1206
116. Carlesi S, Ricci M, Cucci C, Lofrumento C, Picollo M, Becucci M (2016) Multivariate
analysis of combined reflectance FT-NIR and micro-Raman spectra on oil-paint models.
Microchem J 124:703–711
117. Cheilakou E, Troullinos M, Koui M (2014) Identification of pigments on Byzantine wall
paintings from Crete (14th century AD) using non-invasive fiber optics diffuse reflectance
spectroscopy (FORS). J Archaeol Sci 41:541–555
118. Bronzato M, Zoleo A, Biondi B, Centeno SA (2016) An insight into the metal coordination
and spectroscopic properties of artistic Fe and Fe/Cu logwood inks. Spectrochim Acta A
153:522–529
119. Cucci C, Bartolozzi G, De Vita M, Marchiafava V, Picollo M, Casadio F (2016) The colors
of Keith Haring: a spectroscopic study on the materials of the mural painting Tuttomondo
and on reference contemporary outdoor paints. Appl Spectrosc 70:186–196
514
T. Łojewski and B. Łydżba-Kopczyńska
and dyes in early lithographic inks (1890–1920). J Raman Spectrosc 37:111–1118
103. Daher C, Bellot-Gurlet L, Le Hô AS, Paris C, Regert M (2013) Advanced discriminating
criteria for natural organic substances of cultural heritage interest: spectral decomposition
and multivariate analyses of FT-Raman and FT-IR signatures. Talanta 115:540–547
104. Daher C, Pimenta V, Bellot-Gurlet L (2014) Towards a non-invasive quantitative analysis of
the organic components in museum objects varnishes by vibrational spectroscopies:
methodological approach. Talanta 129:336–345
105. Klisinska A, Łydżba-Kopczyńska B, Czarnecka M, Koźlecki T, del Hoyo Mélendez J,
Mendys A, Kłosowska‐Klechowska, Anna Obarzanowski M, Frączek P (2018) Raman
spectroscopy as a powerful technique for the identification of polymers used in cast
sculptures from museum collections. J Raman Spectrosc. https://doi.org/10.1002/jrs.5407
(First published: 08 June 2018)
106. Van Elslande E, Lecomte S, Le Ho A-S (2008) Micro-Raman spectroscopy (MRS) and
surface-enhanced Raman scattering (SERS) on organic colourants in archaeological
pigments. J Raman Spectrosc 39:10001–11006
107. Melo MJ, Nabais P, Guimarães M, Araújo R, Castro R, Oliveira MC, Whitworth I (2016)
Organic dyes in illuminated manuscripts: a unique cultural and historic record. Philos
Trans R Soc A Math Phys Eng Sci 374:20160050
108. Pozzi F, Leona M (2016) Surface-enhanced Raman spectroscopy in art and archaeology.
J Raman Spectrosc 47:67–77
109. Kiefer W, Mazzolini AP, Stoddart PR (2007) Recent advances in linear and nonlinear
Raman spectroscopy I. J Raman Spectrosc 38:1538–1553
110. Cappa F, Pintus V, Ofner J, Schreiner M, Lendl B (2015) Raman imaging for cultural
heritage investigations. In: 8th international conference on advanced vibrational spectroscopy, Wien, 7–17th July 2015, pp 246–247
111. Antunes V, Candeias A, Mirão J, Carvalho ML, Dias CB, Manhita A, Cardoso A,
Francisco MJ, Lauw A, Manso M (2018) Analytical characterization of the palette and
painting techniques of Jorge Afonso, the great 16th century Master of Lisbon painting
workshop. Spectrochim Acta A 193:264–275
112. Christiansen MB, Sørensen MA, Sanyova J, Bendix J, Simonsen KP (2017) Characterisation
of the rare cadmium chromate pigment in a 19th century tube colour by Raman, FTIR, X-ray
and EPR. Spectrochim Acta A 208–214
113. Basso E, Invernizzi C, Malagodi M, La Russa MF, Bersani D, Lottici PP (2014)
Characterization of colorants and opacifiers in roman glass mosaic tesserae through
spectroscopic and spectrometric techniques. J Raman Spectrosc 45:238–245
114. Casadio F, Bezúr A, Fiedler I, Muir K, Trad T, MacCagnola S (2012) Pablo Picasso to
Jasper Johns: a Raman study of cobalt-based synthetic inorganic pigments. J Raman
Spectrosc 43:1761–1771
115. Otero V, Sanches D, Montagner C, Vilarigues M, Carlyle L, Lopes JA, Melo MJ (2014)
Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art.
J Raman Spectrosc 45:1197–1206
116. Carlesi S, Ricci M, Cucci C, Lofrumento C, Picollo M, Becucci M (2016) Multivariate
analysis of combined reflectance FT-NIR and micro-Raman spectra on oil-paint models.
Microchem J 124:703–711
117. Cheilakou E, Troullinos M, Koui M (2014) Identification of pigments on Byzantine wall
paintings from Crete (14th century AD) using non-invasive fiber optics diffuse reflectance
spectroscopy (FORS). J Archaeol Sci 41:541–555
118. Bronzato M, Zoleo A, Biondi B, Centeno SA (2016) An insight into the metal coordination
and spectroscopic properties of artistic Fe and Fe/Cu logwood inks. Spectrochim Acta A
153:522–529
119. Cucci C, Bartolozzi G, De Vita M, Marchiafava V, Picollo M, Casadio F (2016) The colors
of Keith Haring: a spectroscopic study on the materials of the mural painting Tuttomondo
and on reference contemporary outdoor paints. Appl Spectrosc 70:186–196
514
T. Łojewski and B. Łydżba-Kopczyńska