introduCtion: AdAptAtion in A ConvergenCe environMent
29
McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man.
Toronto: University of Toronto Press, 1968.
Meikle, Kyle. “Pornographic Adaptation: Parody, Fan Fiction, and the Limits of
Genre.” Journal of Adaptation in Film & Performance 8, no. 2 (2015): 123–140.
Mittell, Jason. “Forensic Fandom and the Drillable Text.” Accessed February 9,
2017. http://spreadablemedia.org/essays/mittell/.
Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary
Literary Adaptation. New York: Routledge, 2011.
O’Flynn, Siobhan. “Designing for the Interactant: How Interactivity Impacts on
Adaptation.” In Adaptation and American Studies: Perspectives on Research
and Teaching, With an Afterword by Linda Hutcheon, edited by Nassim Winnie
Balestrini, 83–102. Heidelberg: Winter, 2011.
Parody, Clare. “Adaptation Essay Prize Winner: Franchising/Adaptation.” Adaptation
4, no. 2 (2011): 210–218.
Pearson, Roberta. “Fandom in the Digital Era.” Popular Communication 8, no. 1
(2010): 84–95.
―. “World-Building Logics and Copyright: The Dark Knight and the Great Detective.” In World Building: Transmedia, Fans, Industries, edited by Marta Boni,
109–128. Amsterdam: Amsterdam University Press, 2017.
Rajewsky, Irina. “Intermediality, Intertextuality, and Remediation: A Literary
Perspective on Intermediality.” Intermédialités 6 (2005): 43–64.
Ryan, Marie-Laure. “Digital Media.” in Narrative across Media: The Languages of
Storytelling, edited by Marie-Laure Ryan, 329–335. Lincoln, NE: University of
Nebraska Press, 2004.
―. “Transmedia Storytelling: Industry Buzzword of New Narrative Experience?”
Storyworlds: A Journal of Narrative Studies 7.2 (2015): 1–19.
―. “Will New Media Produce New Narratives?” In Narrative across Media: The
Languages of Storytelling, edited by Marie-Laure Ryan, 337–359. Lincoln, NE:
University of Nebraska Press, 2004.
Ryan, Marie-Laure, and Jan-Noël Thon, eds. Storyworlds across Media: Toward
a Media-Conscious Narratology. Lincoln: University of Nebraska Press, 2014.
Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006.
Schäfke, Werner. “Videospiele als Text aus der Perspektive der Editionswissenschaft.” Zeitschrift für Semiotik 32 (2010): 343–353.
Stanfield, Mel, and Megan Condis. “Fandom and/as Labor.” Transformative Works
and Cultures 15 (2014).
Thon, Jan-Noël. Transmedial Narratology and Contemporary Media Culture. Lincoln:
University of Nebraska Press, 2016.
Wolf, Mark J.P. Building Imaginary Worlds: The Theory and History of Sub-Creation.
New York: Routledge, 2012.
29
McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man.
Toronto: University of Toronto Press, 1968.
Meikle, Kyle. “Pornographic Adaptation: Parody, Fan Fiction, and the Limits of
Genre.” Journal of Adaptation in Film & Performance 8, no. 2 (2015): 123–140.
Mittell, Jason. “Forensic Fandom and the Drillable Text.” Accessed February 9,
2017. http://spreadablemedia.org/essays/mittell/.
Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary
Literary Adaptation. New York: Routledge, 2011.
O’Flynn, Siobhan. “Designing for the Interactant: How Interactivity Impacts on
Adaptation.” In Adaptation and American Studies: Perspectives on Research
and Teaching, With an Afterword by Linda Hutcheon, edited by Nassim Winnie
Balestrini, 83–102. Heidelberg: Winter, 2011.
Parody, Clare. “Adaptation Essay Prize Winner: Franchising/Adaptation.” Adaptation
4, no. 2 (2011): 210–218.
Pearson, Roberta. “Fandom in the Digital Era.” Popular Communication 8, no. 1
(2010): 84–95.
―. “World-Building Logics and Copyright: The Dark Knight and the Great Detective.” In World Building: Transmedia, Fans, Industries, edited by Marta Boni,
109–128. Amsterdam: Amsterdam University Press, 2017.
Rajewsky, Irina. “Intermediality, Intertextuality, and Remediation: A Literary
Perspective on Intermediality.” Intermédialités 6 (2005): 43–64.
Ryan, Marie-Laure. “Digital Media.” in Narrative across Media: The Languages of
Storytelling, edited by Marie-Laure Ryan, 329–335. Lincoln, NE: University of
Nebraska Press, 2004.
―. “Transmedia Storytelling: Industry Buzzword of New Narrative Experience?”
Storyworlds: A Journal of Narrative Studies 7.2 (2015): 1–19.
―. “Will New Media Produce New Narratives?” In Narrative across Media: The
Languages of Storytelling, edited by Marie-Laure Ryan, 337–359. Lincoln, NE:
University of Nebraska Press, 2004.
Ryan, Marie-Laure, and Jan-Noël Thon, eds. Storyworlds across Media: Toward
a Media-Conscious Narratology. Lincoln: University of Nebraska Press, 2014.
Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006.
Schäfke, Werner. “Videospiele als Text aus der Perspektive der Editionswissenschaft.” Zeitschrift für Semiotik 32 (2010): 343–353.
Stanfield, Mel, and Megan Condis. “Fandom and/as Labor.” Transformative Works
and Cultures 15 (2014).
Thon, Jan-Noël. Transmedial Narratology and Contemporary Media Culture. Lincoln:
University of Nebraska Press, 2016.
Wolf, Mark J.P. Building Imaginary Worlds: The Theory and History of Sub-Creation.
New York: Routledge, 2012.