Index
Actor-Network-Theory 22, 36, 46
adaptation(s) passim
adaptations as narrative extension 12, 13,
43, 66, 67, 70, 88, 126, 169, 175, 181, 193
adaptation environment(s) 8, 10-11, 14, 16,
17, 18, 20-22, 23, 26, 27, 33, 35, 39, 121, 207
adaptations and franchise expansion 13,
15, 23, 25-27, 40, 58, 60, 66, 92, 159-172
complexity of adaptation process 8, 9, 22,
32, 36-37, 42-47, 50-52, 65-66, 73, 127
divergence in adaptations and franchises 35, 166, 167, 169 n.26, 170
para-adaptation 24, 116, 119, 122, 124, 127
re-adaptation 39, 164
adaptation studies 7-9, 10-11, 13, 15, 17-18,
20-21, 27, 31-35, 38, 42, 50, 61
adaptaiton studies as comparative
analysis 9, 15
Alien franchise 21, 25, 159-172
appropriation 10, 18, 19, 47, 61, 63, 67, 71, 77, 94,
97, 164, 180, 194, 207
artwork 48, 162, 164, 165
audience(s)
audiences in adaptation studies 8, 9, 12
n.11, 14-15, 45
audience engagement 52, 59 n.5, 144, 145,
146, 148
audience expectations and reception 19,
63, 65, 148-49, 168, 170
audience participation 8 n.5, 16, 18, 20, 25,
27, 32, 51-52, 88-95, 120, 124, 161, 172
creators as audiences 102, 103
fan audiences 67, 72, 77-80
producer-audience relations 23, 33, 77-80,
147, 154, 162, 172
target audiences 176, 183, 204, 206,
208-209, 215, 219
transformation and diversity of audiences
and audience positions 18, 37, 40, 92, 95
Youtube audiences 125-126, 128
auteur see authorship
authenticity 9, 100, 165
authority 9, 23, 40, 51, 64, 93, 103, 137, 152
authors 92
lead writers as authors 24-25, 133-138,
144-150, 153
writers 15, 23-25, 46, 58-59, 62-64, 68, 71,
75-77, 82, 97, 124, 133-138, 143-154
authorship
authorship and authority 23, 40, 51, 64,
95-96, 101, 103, 105
authorial control 19, 149, 153, 167
authorial intention 136, 138, 151, 160
authorship in fanfiction 23, 57-82
changing conceptions and practices 8-9,
33, 40, 47, 90, 103
public statements and performance of
authorship 24, 25, 27, 61, 68-72, 74-81,
90, 101, 102, 105, 196
backstories 67, 82, 165, 178, 179
blogs and bloggers 62, 69, 70, 74, 78, 80, 89,
96, 113, 144, 145, 167, 170, 187, 188, 193, 194
board games 21, 164, 166
books see novels
book covers 97-98, 104
book market 58, 59, 61, 69, 71, 80, 81
book series 57, 94
canon 25, 63, 64, 65, 66, 67, 91, 92, 93, 96, 97,
100, 147, 171
canon building and canonization 88, 93,
95, 104, 105
capitalism 15, 52, 151, 185, 186, 192, 189, 198
characters
characters in adaptations and franchises 13, 14, 19, 60, 61, 63, 160, 161, 162,
165, 169, 170, 197
characters in fanfiction and fan culture 65-67, 69, 73, 74
Cassandra Clare on characters 76, 77,
78, 80
Characters in Sherlock and Doyle’s Sherlock
Holmes stories 134, 136, 138, 140 n.32,
144, 145, 147
Characters in the Alien franchise 165,
168, 169
Characters in the LEGO Movie 176, 178-181,
185, 196
Nazi characters in Wolfenstein 206, 214
n.46, 218, 220 n.82, 223
cinema 94, 95, 121, 161, 203
Clare, Cassandra 20, 24, 60, 70-71, 75-80, 82
coherence
suggestion of coherence in network 44, 49
coherence in fanfiction 63
(in)coherence in fictional franchises 41,
160, 165, 167 n.16, 171-72, 182 n.13
collaboration
collaboration in (fan) culture 60, 63, 69,
70, 74, 126, 135
collaboration between disciplines 17, 21,
27, 32, 190 n.32
collaborative knowledge 39
comedy 96, 102, 123, 143, 150, 176
comics and graphic novels 13, 60, 161, 163, 164,
166, 179, 203
comments
Actor-Network-Theory 22, 36, 46
adaptation(s) passim
adaptations as narrative extension 12, 13,
43, 66, 67, 70, 88, 126, 169, 175, 181, 193
adaptation environment(s) 8, 10-11, 14, 16,
17, 18, 20-22, 23, 26, 27, 33, 35, 39, 121, 207
adaptations and franchise expansion 13,
15, 23, 25-27, 40, 58, 60, 66, 92, 159-172
complexity of adaptation process 8, 9, 22,
32, 36-37, 42-47, 50-52, 65-66, 73, 127
divergence in adaptations and franchises 35, 166, 167, 169 n.26, 170
para-adaptation 24, 116, 119, 122, 124, 127
re-adaptation 39, 164
adaptation studies 7-9, 10-11, 13, 15, 17-18,
20-21, 27, 31-35, 38, 42, 50, 61
adaptaiton studies as comparative
analysis 9, 15
Alien franchise 21, 25, 159-172
appropriation 10, 18, 19, 47, 61, 63, 67, 71, 77, 94,
97, 164, 180, 194, 207
artwork 48, 162, 164, 165
audience(s)
audiences in adaptation studies 8, 9, 12
n.11, 14-15, 45
audience engagement 52, 59 n.5, 144, 145,
146, 148
audience expectations and reception 19,
63, 65, 148-49, 168, 170
audience participation 8 n.5, 16, 18, 20, 25,
27, 32, 51-52, 88-95, 120, 124, 161, 172
creators as audiences 102, 103
fan audiences 67, 72, 77-80
producer-audience relations 23, 33, 77-80,
147, 154, 162, 172
target audiences 176, 183, 204, 206,
208-209, 215, 219
transformation and diversity of audiences
and audience positions 18, 37, 40, 92, 95
Youtube audiences 125-126, 128
auteur see authorship
authenticity 9, 100, 165
authority 9, 23, 40, 51, 64, 93, 103, 137, 152
authors 92
lead writers as authors 24-25, 133-138,
144-150, 153
writers 15, 23-25, 46, 58-59, 62-64, 68, 71,
75-77, 82, 97, 124, 133-138, 143-154
authorship
authorship and authority 23, 40, 51, 64,
95-96, 101, 103, 105
authorial control 19, 149, 153, 167
authorial intention 136, 138, 151, 160
authorship in fanfiction 23, 57-82
changing conceptions and practices 8-9,
33, 40, 47, 90, 103
public statements and performance of
authorship 24, 25, 27, 61, 68-72, 74-81,
90, 101, 102, 105, 196
backstories 67, 82, 165, 178, 179
blogs and bloggers 62, 69, 70, 74, 78, 80, 89,
96, 113, 144, 145, 167, 170, 187, 188, 193, 194
board games 21, 164, 166
books see novels
book covers 97-98, 104
book market 58, 59, 61, 69, 71, 80, 81
book series 57, 94
canon 25, 63, 64, 65, 66, 67, 91, 92, 93, 96, 97,
100, 147, 171
canon building and canonization 88, 93,
95, 104, 105
capitalism 15, 52, 151, 185, 186, 192, 189, 198
characters
characters in adaptations and franchises 13, 14, 19, 60, 61, 63, 160, 161, 162,
165, 169, 170, 197
characters in fanfiction and fan culture 65-67, 69, 73, 74
Cassandra Clare on characters 76, 77,
78, 80
Characters in Sherlock and Doyle’s Sherlock
Holmes stories 134, 136, 138, 140 n.32,
144, 145, 147
Characters in the Alien franchise 165,
168, 169
Characters in the LEGO Movie 176, 178-181,
185, 196
Nazi characters in Wolfenstein 206, 214
n.46, 218, 220 n.82, 223
cinema 94, 95, 121, 161, 203
Clare, Cassandra 20, 24, 60, 70-71, 75-80, 82
coherence
suggestion of coherence in network 44, 49
coherence in fanfiction 63
(in)coherence in fictional franchises 41,
160, 165, 167 n.16, 171-72, 182 n.13
collaboration
collaboration in (fan) culture 60, 63, 69,
70, 74, 126, 135
collaboration between disciplines 17, 21,
27, 32, 190 n.32
collaborative knowledge 39
comedy 96, 102, 123, 143, 150, 176
comics and graphic novels 13, 60, 161, 163, 164,
166, 179, 203
comments