200
AdAptAtion in the Age of MediA ConvergenCe
Harvey, David. “Time Space Compression and the Postmodern Condition.” In The
Condition of Postmodernity, 284–308. Oxford: Blackwell, 1991.
Huizinga, Johan. Homo ludens: A Study of the Play Element in Culture. 1938. Boston:
The Beacon Press, 1955.
Jameson, Fredric. Postmodernism or, The Cultural Logic of Late Capitalism. Raleigh:
Duke UP, 1991.
Jenkins, Henry. “Complete Freedom of Movement: Video Games as Gendered Play
Spaces.” In From Barbie to Mortal Kombat: Gender and Computer Games, edited
by Justine Cassell and Henry Jenkins, 262–298. Boston: MIT Press, 2000.
―. “Transmedia Storytelling” 101. Confessions of an Aca-Fan, posted March 22,
2007. Accessed February 15, 2019. http://henryjenkins.org/2007/03/transmedia_storytelling_101.html.
Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value
and Meaning in a Networked Culture. New York and London: New York UP, 2013.
Keane, Stephen. Disaster Movies: The Cinema of Catastrophe. London and New
York: Wallflower, 2006.
Kücklich, Julian. “FCJ-025 Precarious Playbour: Modders and the Digital Games
Industry.” The Fibreculture Journal 5 (2005), accessed March 2, 2016. http://
f ive.f ibreculturejournal.org/fcj-025-precarious-playbour-modders-and
-the-digital-games-industry/.
Lahti, Martti. “As We Become Machines: Corporealized Pleasures in Video Games.”
In The Video Game Theory Reader, edited by Mark J.P. Wolf and Bernard Perron,
157–171. New York and London: Routledge, 2003.
Lauwaert, Maaike. The Place of Play: Toys and Digital Cultures. Amsterdam:
Amsterdam UP, 2009.
LEGO Movie, The. Dir. Phil Lord and Christopher Miller. Warner Bros. 2014.
“LEGO ‘promoting unrealistic body image’.” The Daily Mash. June 18,
2015. Accessed March 2, 2016. www.thedailymash.co.uk/news/society/
lego-promoting-unrealistic-body-image-2015061899397.
Lorenz, Konrad. “Die angeborenen Formen möglicher Erfahrung.” Zeitschrift für
Tierpsychologie 5, no. 2 (1943): 245–409.
Martin, Randy. “After Economy? Social Logics of the Derivative.” Social Text 114,
31, no. 1 (Spring 2013): 83–106.
―. The Financialization of Daily Live. Philadelphia: Temple University Press, 2002.
―. “Taking an Administrative Turn: Derivative Logics for a Recharged Humanities.”
Representations 116, no. 1 (Fall 2011): 156–176.
Meissner, Miriam. Narrating the Global Financial Crisis: Urban Imaginaries and the
Politics of Myth. London and New York: Palgrave Macmillan, 2017.
Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary
Literary Adaptation. New York and London: Routledge, 2012.
AdAptAtion in the Age of MediA ConvergenCe
Harvey, David. “Time Space Compression and the Postmodern Condition.” In The
Condition of Postmodernity, 284–308. Oxford: Blackwell, 1991.
Huizinga, Johan. Homo ludens: A Study of the Play Element in Culture. 1938. Boston:
The Beacon Press, 1955.
Jameson, Fredric. Postmodernism or, The Cultural Logic of Late Capitalism. Raleigh:
Duke UP, 1991.
Jenkins, Henry. “Complete Freedom of Movement: Video Games as Gendered Play
Spaces.” In From Barbie to Mortal Kombat: Gender and Computer Games, edited
by Justine Cassell and Henry Jenkins, 262–298. Boston: MIT Press, 2000.
―. “Transmedia Storytelling” 101. Confessions of an Aca-Fan, posted March 22,
2007. Accessed February 15, 2019. http://henryjenkins.org/2007/03/transmedia_storytelling_101.html.
Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value
and Meaning in a Networked Culture. New York and London: New York UP, 2013.
Keane, Stephen. Disaster Movies: The Cinema of Catastrophe. London and New
York: Wallflower, 2006.
Kücklich, Julian. “FCJ-025 Precarious Playbour: Modders and the Digital Games
Industry.” The Fibreculture Journal 5 (2005), accessed March 2, 2016. http://
f ive.f ibreculturejournal.org/fcj-025-precarious-playbour-modders-and
-the-digital-games-industry/.
Lahti, Martti. “As We Become Machines: Corporealized Pleasures in Video Games.”
In The Video Game Theory Reader, edited by Mark J.P. Wolf and Bernard Perron,
157–171. New York and London: Routledge, 2003.
Lauwaert, Maaike. The Place of Play: Toys and Digital Cultures. Amsterdam:
Amsterdam UP, 2009.
LEGO Movie, The. Dir. Phil Lord and Christopher Miller. Warner Bros. 2014.
“LEGO ‘promoting unrealistic body image’.” The Daily Mash. June 18,
2015. Accessed March 2, 2016. www.thedailymash.co.uk/news/society/
lego-promoting-unrealistic-body-image-2015061899397.
Lorenz, Konrad. “Die angeborenen Formen möglicher Erfahrung.” Zeitschrift für
Tierpsychologie 5, no. 2 (1943): 245–409.
Martin, Randy. “After Economy? Social Logics of the Derivative.” Social Text 114,
31, no. 1 (Spring 2013): 83–106.
―. The Financialization of Daily Live. Philadelphia: Temple University Press, 2002.
―. “Taking an Administrative Turn: Derivative Logics for a Recharged Humanities.”
Representations 116, no. 1 (Fall 2011): 156–176.
Meissner, Miriam. Narrating the Global Financial Crisis: Urban Imaginaries and the
Politics of Myth. London and New York: Palgrave Macmillan, 2017.
Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary
Literary Adaptation. New York and London: Routledge, 2012.