ALIEN AdApted (AgAin And AgAin)
173
Boni, Marta. “Introduction.” In World Building. Transmedia, Fans, Industries, edited
by Marta Boni, 9–27. Amsterdam: Amsterdam University Press, 2017.
Cuntz, Vera. Kalkulierter Schrecken. Standardsituationen in der Alien-Filmreihe.
Remscheid: Gardez, 2007.
Doležel, Lubomir. Heterocosmica: Fiction and Possible Worlds. Baltimore: Johns
Hopkins University Press, 1998.
Eco, Umberto. “‘Casablanca’: Cult Movies and Intertextual Collage.” SubStance
14, no. 2 (1985): 3–12.
Foster, Alan Dean. Alien. New York: Warner Books, 1979.
―. Aliens. New York: Warner Books, 1986.
Harvey, Colin. Fantastic Transmedia. Narrative, Play and Memory across Science
Fiction and Fantasy Storyworlds. Hampshire: Palgrave Macmillan, 2015.
Heinze, Rüdiger, and Lucia Krämer, eds. Remakes and Remaking: Concepts – Media
– Practices. Bielefeld: transcript, 2015.
Herman, David. “Regrounding Narratology: The Study of Narratively Organized
Systems for Thinking.” In What is Narratology? Questions and Answers Regarding
the Status of a Theory, edited by Tom Kindt and Hans-Harald Müller, 303–332.
Berlin: de Gruyter, 2003.
Hills, Matt. “Traversing the ‘Whoniverse’: Doctor Who’s Hyperdiegesis and Transmedia Discontinuity/Diachrony.” In World Building. Transmedia, Fans, Industries,
edited by Marta Boni, 343–361. Amsterdam: Amsterdam University Press, 2017.
―. Fan Cultures. London and New York: Routledge, 2002.
Hutcheon, Linda. A Theory of Adaptation. New York: Routledge, 2006.
Jenkins, Henry. “Transmedia Storytelling 101.” Confessions of an Aca-Fan: The Official
Weblog of Henry Jenkins. Last modified March 22, 2007. Accessed February 15,
2019. http://henryjenkins.org/2007/03/transmedia_storytelling_101.html.
―. Convergence Culture: Where Old and New Media Collide. New York: New York
University Press, 2006.
Klastrup, Lisbeth, and Susana Tosca. “Transmedial Worlds – Rethinking Cyberworld
Design.” In International Conference on Cyberworlds 2004: Proceedings, edited
by Masayuki Nakajima, Yoshinori Hatori, and Alexei Sourin, 409–416. Los
Alamitos, CA: IEEE Computer Society, 2004.
Martinez, Matias, and Michael Scheffel, eds. Einführung in die Erzähltheorie.
Munich: C.H. Beck, 1999.
Parker, Felan. “Millions of Voices: Star Wars, Digital Games, Fictional Worlds and
Franchise Canon.” In Game On, Hollywood!: Essays on the Intersection of Video
Games and Cinema, edited by Gretchen Papazian and Joseph Michael Sommers,
156-168. Jefferson: McFarland & Company, 2013.
Parody, Clare. “Franchising/Adaptation.” Adaptation 4, no. 2 (2011): 210–218.
Predator. Directed by John McTiernan. Amercent Films, 1987. DVD.
173
Boni, Marta. “Introduction.” In World Building. Transmedia, Fans, Industries, edited
by Marta Boni, 9–27. Amsterdam: Amsterdam University Press, 2017.
Cuntz, Vera. Kalkulierter Schrecken. Standardsituationen in der Alien-Filmreihe.
Remscheid: Gardez, 2007.
Doležel, Lubomir. Heterocosmica: Fiction and Possible Worlds. Baltimore: Johns
Hopkins University Press, 1998.
Eco, Umberto. “‘Casablanca’: Cult Movies and Intertextual Collage.” SubStance
14, no. 2 (1985): 3–12.
Foster, Alan Dean. Alien. New York: Warner Books, 1979.
―. Aliens. New York: Warner Books, 1986.
Harvey, Colin. Fantastic Transmedia. Narrative, Play and Memory across Science
Fiction and Fantasy Storyworlds. Hampshire: Palgrave Macmillan, 2015.
Heinze, Rüdiger, and Lucia Krämer, eds. Remakes and Remaking: Concepts – Media
– Practices. Bielefeld: transcript, 2015.
Herman, David. “Regrounding Narratology: The Study of Narratively Organized
Systems for Thinking.” In What is Narratology? Questions and Answers Regarding
the Status of a Theory, edited by Tom Kindt and Hans-Harald Müller, 303–332.
Berlin: de Gruyter, 2003.
Hills, Matt. “Traversing the ‘Whoniverse’: Doctor Who’s Hyperdiegesis and Transmedia Discontinuity/Diachrony.” In World Building. Transmedia, Fans, Industries,
edited by Marta Boni, 343–361. Amsterdam: Amsterdam University Press, 2017.
―. Fan Cultures. London and New York: Routledge, 2002.
Hutcheon, Linda. A Theory of Adaptation. New York: Routledge, 2006.
Jenkins, Henry. “Transmedia Storytelling 101.” Confessions of an Aca-Fan: The Official
Weblog of Henry Jenkins. Last modified March 22, 2007. Accessed February 15,
2019. http://henryjenkins.org/2007/03/transmedia_storytelling_101.html.
―. Convergence Culture: Where Old and New Media Collide. New York: New York
University Press, 2006.
Klastrup, Lisbeth, and Susana Tosca. “Transmedial Worlds – Rethinking Cyberworld
Design.” In International Conference on Cyberworlds 2004: Proceedings, edited
by Masayuki Nakajima, Yoshinori Hatori, and Alexei Sourin, 409–416. Los
Alamitos, CA: IEEE Computer Society, 2004.
Martinez, Matias, and Michael Scheffel, eds. Einführung in die Erzähltheorie.
Munich: C.H. Beck, 1999.
Parker, Felan. “Millions of Voices: Star Wars, Digital Games, Fictional Worlds and
Franchise Canon.” In Game On, Hollywood!: Essays on the Intersection of Video
Games and Cinema, edited by Gretchen Papazian and Joseph Michael Sommers,
156-168. Jefferson: McFarland & Company, 2013.
Parody, Clare. “Franchising/Adaptation.” Adaptation 4, no. 2 (2011): 210–218.
Predator. Directed by John McTiernan. Amercent Films, 1987. DVD.