MAsters of the universe?
157
Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary
Literary Adaptation. Abingdon: Routledge, 2013.
Poore, Benjamin. “Neverending Stories? The Paradise and the Period Drama Series.”
In Upstairs and Downstairs, edited by James Leggott and Julie Taddeo, 67–79.
New York: Rowman and Littlefield, 2015.
Rawnsley, Andrew. Servants of the People: The Inside Story of New Labour. Harmondsworth: Penguin, 2001.
Robinson, Joanna. “Do Sherlock and Doctor Who really have a ‘bad fan’ problem?” VanityFair. November 10, 2014. Accessed December 17, 2014. www.
vanityfair.com/vf-hollywood/2014/11/sherlock-doctor-who-steven-moffat
-hate-his-fans?mbid=social_twitter.
Sherlock. “The Reichenbach Fall.” Series two, episode three. Directed by Toby
Haynes. Written by Stephen Thompson. BBC, January 15, 2012.
Sherlock. “The Sign of Three.” Series three, episode two. Directed by Colm McCarthy.
Written by Stephen Thomspon, Steven Moffat, and Mark Gartiss. BBC, January
5, 2014.
Sherlock. “The Empty Hearse.” Series three, episode one. Directed by Jeremy Lovering. Written by Mark Gatiss. BBC, January 1, 2014.
Sherlock. “His Last Vow.” Series three, episode three. Directed by Nick Hurran.
Written by Steven Moffat. BBC, January 12, 2014.
Stieva, Rebecca. “‘We solve crimes, I blog about it, he forgets his pants’: Balancing
Traditional and Non-Traditional Sherlockians in a Modern World.” In The One
Fixed Point in a Changing Age: A New Generation on Sherlock Holmes, edited
by Kristina Manente, Maria Fleischhack, Sarah Roy, and Taylor Blumenberg,
239–252. Indianapolis, IN: Gasogene, 2014.
Tribe, Steve. Sherlock Chronicles. London: BBC Books, 2014.
“Unlocking Sherlock.” Directed and produced by Susannah Ward. Special feature.
In Sherlock: Complete Series Three. Midnight Oil Productions/BBC, 2014. DVD.
About the author
Benjamin Poore is Senior Lecturer in Theatre at the Department of Theatre,
Film, Television and Interactive Media, University of York, UK. His books include Heritage, Nostalgia and Modern British Theatre: Staging the Victorians,
Theatre & Empire, and Sherlock Holmes from Screen to Stage: Post-Millennial
Adaptations in British Theatre.
157
Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary
Literary Adaptation. Abingdon: Routledge, 2013.
Poore, Benjamin. “Neverending Stories? The Paradise and the Period Drama Series.”
In Upstairs and Downstairs, edited by James Leggott and Julie Taddeo, 67–79.
New York: Rowman and Littlefield, 2015.
Rawnsley, Andrew. Servants of the People: The Inside Story of New Labour. Harmondsworth: Penguin, 2001.
Robinson, Joanna. “Do Sherlock and Doctor Who really have a ‘bad fan’ problem?” VanityFair. November 10, 2014. Accessed December 17, 2014. www.
vanityfair.com/vf-hollywood/2014/11/sherlock-doctor-who-steven-moffat
-hate-his-fans?mbid=social_twitter.
Sherlock. “The Reichenbach Fall.” Series two, episode three. Directed by Toby
Haynes. Written by Stephen Thompson. BBC, January 15, 2012.
Sherlock. “The Sign of Three.” Series three, episode two. Directed by Colm McCarthy.
Written by Stephen Thomspon, Steven Moffat, and Mark Gartiss. BBC, January
5, 2014.
Sherlock. “The Empty Hearse.” Series three, episode one. Directed by Jeremy Lovering. Written by Mark Gatiss. BBC, January 1, 2014.
Sherlock. “His Last Vow.” Series three, episode three. Directed by Nick Hurran.
Written by Steven Moffat. BBC, January 12, 2014.
Stieva, Rebecca. “‘We solve crimes, I blog about it, he forgets his pants’: Balancing
Traditional and Non-Traditional Sherlockians in a Modern World.” In The One
Fixed Point in a Changing Age: A New Generation on Sherlock Holmes, edited
by Kristina Manente, Maria Fleischhack, Sarah Roy, and Taylor Blumenberg,
239–252. Indianapolis, IN: Gasogene, 2014.
Tribe, Steve. Sherlock Chronicles. London: BBC Books, 2014.
“Unlocking Sherlock.” Directed and produced by Susannah Ward. Special feature.
In Sherlock: Complete Series Three. Midnight Oil Productions/BBC, 2014. DVD.
About the author
Benjamin Poore is Senior Lecturer in Theatre at the Department of Theatre,
Film, Television and Interactive Media, University of York, UK. His books include Heritage, Nostalgia and Modern British Theatre: Staging the Victorians,
Theatre & Empire, and Sherlock Holmes from Screen to Stage: Post-Millennial
Adaptations in British Theatre.