MAsters of the universe?
155
Charles, Alec. “Three characters in search of an archetype: Aspects of the trickster
and the flâneur in the characterizations of Sherlock Holmes, Gregory House
and Doctor Who.” Journal of Popular Television 1 (2013): 83–102.
Click, Melissa A., and Nettie Brock. “Marking the Line Between Producers and
Fans: Representations of Fannish-ness in Doctor Who and Sherlock.” In Seeing
Fans: Representations of Fandom in Media and Popular Culture, edited by Lucy
Bennett and Paul Booth, 117–126. London: Bloomsbury, 2016.
Cohen, Nick. Pretty Straight Guys. London: Faber, 2004.
Crofts, Stephen. “Authorship and Hollywood.” In The Oxford Guide to Film Studies, edited by John Hill and Pamela Church Gibson, 310–324. Oxford: Oxford
University Press, 1998.
Dee, Johnny. “Peter Capaldi: Malcolm Tucker is Alastair Campbell. But Mandelson is
in there, too.” The Guardian, October 17, 2009. Accessed December 27, 2014. www.
theguardian.com/tv-and-radio/2009/oct/17/peter-capaldi-malcolm-tucker-tv.
Elliott, Kamilla. “Literary Film Adaptation and the Form/Content Dilemma.” In
Narrative Across Media: The Languages of Storytelling, edited by Marie-Laure
Ryan, 220–243. Lincoln, NE and London: University of Nebraska Press, 2004.
Fairclough, Norman. New Labour, New Language? Abingdon: Routledge, 2000.
Fathallah, Judith May. Fanfiction and the Author: How Fanfic Changes Popular
Cultural Texts. Amsterdam: Amsterdam University Press, 2017.
Field, Amanda. England’s Secret Weapon: The Wartime Films of Sherlock Holmes.
London: Middlesex University Press, 2009.
Foster, Patrick. “Martin Freeman and Amanda Abbington split as she reveals
‘weird’ real-life coincidence behind Sherlock scenes they filmed together.” The
Telegraph, December 23, 2016. Accessed December 26, 2016. www.telegraph.
co.uk/news/2016/12/22/martin-freeman-amanda-abbington-split-reveals
-weird-real-life/.
Garside, Emily. “A Study in ‘Setlock’: Fans, filming and Sherlock.” Paper presented
at the New Directions in Sherlock conference, University College, London,
April 11, 2014.
Gillespie, Michael Allen, and John Samuel Harpham, “Sherlock Holmes, Crime,
and the Anxieties of Globalization.” Critical Review: A Journal of Politics and
Society, 23 (2011): 449–474.
Hooton, Christopher. “Doctor Who Sherlock Crossover: I would do ‘Wholock’ says
Steven Moffat.” The Independent, August 11, 2014. Accessed April 28, 2015. www.
independent.co.uk/arts-entertainment/tv/news/doctor-who-sherlock-crossover-i-would-do-it-says-steven-moffat-9660793.html.
Jamieson, Natalie. “Benedict Cumberbatch’s Sherlock goes back to 1895.”
Newsbeat, April 21, 2015. Accessed April 22, 2015. www.bbc.co.uk/newsbeat/
article/32380304/benedict-cumberbatchs-sherlock-goes-back-to-1895.
155
Charles, Alec. “Three characters in search of an archetype: Aspects of the trickster
and the flâneur in the characterizations of Sherlock Holmes, Gregory House
and Doctor Who.” Journal of Popular Television 1 (2013): 83–102.
Click, Melissa A., and Nettie Brock. “Marking the Line Between Producers and
Fans: Representations of Fannish-ness in Doctor Who and Sherlock.” In Seeing
Fans: Representations of Fandom in Media and Popular Culture, edited by Lucy
Bennett and Paul Booth, 117–126. London: Bloomsbury, 2016.
Cohen, Nick. Pretty Straight Guys. London: Faber, 2004.
Crofts, Stephen. “Authorship and Hollywood.” In The Oxford Guide to Film Studies, edited by John Hill and Pamela Church Gibson, 310–324. Oxford: Oxford
University Press, 1998.
Dee, Johnny. “Peter Capaldi: Malcolm Tucker is Alastair Campbell. But Mandelson is
in there, too.” The Guardian, October 17, 2009. Accessed December 27, 2014. www.
theguardian.com/tv-and-radio/2009/oct/17/peter-capaldi-malcolm-tucker-tv.
Elliott, Kamilla. “Literary Film Adaptation and the Form/Content Dilemma.” In
Narrative Across Media: The Languages of Storytelling, edited by Marie-Laure
Ryan, 220–243. Lincoln, NE and London: University of Nebraska Press, 2004.
Fairclough, Norman. New Labour, New Language? Abingdon: Routledge, 2000.
Fathallah, Judith May. Fanfiction and the Author: How Fanfic Changes Popular
Cultural Texts. Amsterdam: Amsterdam University Press, 2017.
Field, Amanda. England’s Secret Weapon: The Wartime Films of Sherlock Holmes.
London: Middlesex University Press, 2009.
Foster, Patrick. “Martin Freeman and Amanda Abbington split as she reveals
‘weird’ real-life coincidence behind Sherlock scenes they filmed together.” The
Telegraph, December 23, 2016. Accessed December 26, 2016. www.telegraph.
co.uk/news/2016/12/22/martin-freeman-amanda-abbington-split-reveals
-weird-real-life/.
Garside, Emily. “A Study in ‘Setlock’: Fans, filming and Sherlock.” Paper presented
at the New Directions in Sherlock conference, University College, London,
April 11, 2014.
Gillespie, Michael Allen, and John Samuel Harpham, “Sherlock Holmes, Crime,
and the Anxieties of Globalization.” Critical Review: A Journal of Politics and
Society, 23 (2011): 449–474.
Hooton, Christopher. “Doctor Who Sherlock Crossover: I would do ‘Wholock’ says
Steven Moffat.” The Independent, August 11, 2014. Accessed April 28, 2015. www.
independent.co.uk/arts-entertainment/tv/news/doctor-who-sherlock-crossover-i-would-do-it-says-steven-moffat-9660793.html.
Jamieson, Natalie. “Benedict Cumberbatch’s Sherlock goes back to 1895.”
Newsbeat, April 21, 2015. Accessed April 22, 2015. www.bbc.co.uk/newsbeat/
article/32380304/benedict-cumberbatchs-sherlock-goes-back-to-1895.