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Haggerty, Ben, and Ryan Lewis (2012). “Thrift Shop” Recorded by Macklemore &
Ryan Lewis featuring Wanz. Macklemore LLC.
Hiebner, Gary. Social Media for Musicians: YouTube. Boston: Cengage Learning PTR, 2014.
Ingham, Mike. “Popular Song and Adaptation.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 324–339. New York: Oxford University
Press, 2017.
Jackson, Michael and Lionel Richie (1985). “We Are the World” Recorded by the
United Support of Artists (USA) for Africa. Columbia.
JonDittertMusic. (22/01/2013). “How to Make Cover Songs on YouTube.” Accessed
October 1, 2015. www.youtube.com/watch?v=i6Q_MwOk70c
Leto, Jarred (2013). “Do Or Die” Recorded by Thirty Seconds to Mars. Virgin Records.
Liikkanen, Lassi A. and Antti Salovaara. “Music on YouTube: User Engagement with
Traditional, User-appropriated and Derivative Videos.” Computers in Human
Behavior 50 (2015): 108–124.
Magnus, Cristyn, P.D. Magnus, and Christy Mag Uidhir. “Judging Covers.” The
Journal of Aesthetics and Art Criticism 71.4 (2013): 361–370.
Marshall, Ryan, Gianni “Luminati” Nicassio, Sarah Blackwood, and Thomas “Tawgs”
Salter (2012). “Red Hands” Recorded by Walk off the Earth. Columbia.
Moore, Jason. Pitch Perfect. Universal Studios Home Entertainment. 2012. DVD.
Mosser, Kurt. “‘Cover songs’: Ambiguity, Multivalence, Polysemy.” Popular Musicology Online 2 (2008). Accessed December 27, 2016. www.popular-musicologyonline.com/issues/02/mosser.html
Patterson, Jack, James Napier, Nicole Marshall, and Grace Chatto (2014). “Rather
Be” Recorded by Clean Bandit featuring Jess Glynne. WMG and Atlantic.
Plasketes, George, ed., Play it again: Cover Songs in Popular Music. Surrey: Ashgate
Publishing, Ltd., 2010.
―. “Like a Version: Cover Songs and the Tribute Trend in Popular Music.” Studies
in Popular Culture 15.1 (1992): 1–18.
―. “Look What They’ve Done to my Song: Covers and Tributes, an Annotated
Discography, 1980–1995.” Popular Music & Society 19.1 (1995): 79–106.
―. “Re-flections on the Cover Age: A Collage of Continuous Coverage in Popular
Music.” Popular Music and Society 28.2 (2005): 137–161.
Scharnweber, Joe (24/06/2015). “How to Make/Record Cover Songs for YouTube.”
Accessed October 1, 2015. www.youtube.com/watch?v=T91Dus-gww4
Schäfer, Mirko Tobias. Bastard Culture!: How User Participation Transforms Cultural
Production. Amsterdam: Amsterdam University Press, 2011.
Schneider, Christopher J. “Music Videos on YouTube: Exploring Participatory
Culture on Social Media.” Symbolic Interactionist Takes on Music 47 (2016): 97–117.
Sconce, Jeffrey. “‘Trashing’ the Academy: Taste, Excess, and an Emerging Politics
of Cinematic Style.” Screen 36.4 (1995): 371–393.
AdAptAtion in the Age of MediA ConvergenCe
Haggerty, Ben, and Ryan Lewis (2012). “Thrift Shop” Recorded by Macklemore &
Ryan Lewis featuring Wanz. Macklemore LLC.
Hiebner, Gary. Social Media for Musicians: YouTube. Boston: Cengage Learning PTR, 2014.
Ingham, Mike. “Popular Song and Adaptation.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 324–339. New York: Oxford University
Press, 2017.
Jackson, Michael and Lionel Richie (1985). “We Are the World” Recorded by the
United Support of Artists (USA) for Africa. Columbia.
JonDittertMusic. (22/01/2013). “How to Make Cover Songs on YouTube.” Accessed
October 1, 2015. www.youtube.com/watch?v=i6Q_MwOk70c
Leto, Jarred (2013). “Do Or Die” Recorded by Thirty Seconds to Mars. Virgin Records.
Liikkanen, Lassi A. and Antti Salovaara. “Music on YouTube: User Engagement with
Traditional, User-appropriated and Derivative Videos.” Computers in Human
Behavior 50 (2015): 108–124.
Magnus, Cristyn, P.D. Magnus, and Christy Mag Uidhir. “Judging Covers.” The
Journal of Aesthetics and Art Criticism 71.4 (2013): 361–370.
Marshall, Ryan, Gianni “Luminati” Nicassio, Sarah Blackwood, and Thomas “Tawgs”
Salter (2012). “Red Hands” Recorded by Walk off the Earth. Columbia.
Moore, Jason. Pitch Perfect. Universal Studios Home Entertainment. 2012. DVD.
Mosser, Kurt. “‘Cover songs’: Ambiguity, Multivalence, Polysemy.” Popular Musicology Online 2 (2008). Accessed December 27, 2016. www.popular-musicologyonline.com/issues/02/mosser.html
Patterson, Jack, James Napier, Nicole Marshall, and Grace Chatto (2014). “Rather
Be” Recorded by Clean Bandit featuring Jess Glynne. WMG and Atlantic.
Plasketes, George, ed., Play it again: Cover Songs in Popular Music. Surrey: Ashgate
Publishing, Ltd., 2010.
―. “Like a Version: Cover Songs and the Tribute Trend in Popular Music.” Studies
in Popular Culture 15.1 (1992): 1–18.
―. “Look What They’ve Done to my Song: Covers and Tributes, an Annotated
Discography, 1980–1995.” Popular Music & Society 19.1 (1995): 79–106.
―. “Re-flections on the Cover Age: A Collage of Continuous Coverage in Popular
Music.” Popular Music and Society 28.2 (2005): 137–161.
Scharnweber, Joe (24/06/2015). “How to Make/Record Cover Songs for YouTube.”
Accessed October 1, 2015. www.youtube.com/watch?v=T91Dus-gww4
Schäfer, Mirko Tobias. Bastard Culture!: How User Participation Transforms Cultural
Production. Amsterdam: Amsterdam University Press, 2011.
Schneider, Christopher J. “Music Videos on YouTube: Exploring Participatory
Culture on Social Media.” Symbolic Interactionist Takes on Music 47 (2016): 97–117.
Sconce, Jeffrey. “‘Trashing’ the Academy: Taste, Excess, and an Emerging Politics
of Cinematic Style.” Screen 36.4 (1995): 371–393.