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McCracken, Ellen. “Expanding Genette’s Epitext/Peritext Model for Transitional
Electronic Literature: Centrifugal and Centripetal Vectors on Kindles and iPads.”
Narrative 21, no. 1 (2013): 105–124.
McGann, Jerome. A Critique of Modern Textual Criticism. Chicago: University of
Chicago Press, 1983.
Nottingham-Martin, Amy. “Thresholds of Transmedia Storytelling: Applying
Gérard Genette’s Paratextual Theory to The 39 Clues Series for Young Readers’. In
Examining Paratextual Theory and its Applications in Digital Culture, edited by
Nadine Desrochers and Daniel Apollon, 287–312. Hershey, PA: IGI Global, 2014.
“Pride and Prejudice and Zombies: The Interactive eBook App.” Product page on
QuirkBooks.com. Accessed November 22, 2016. Accessed February 15, 2019.
www.quirkbooks.com/app/ppzapp.
Poore, Benjamin. “Sherlock Holmes and the Leap of Faith: The Forces of Fandom
and Convergence in Adaptations of the Holmes and Watson Stories.” Adaptation
6, no. 2 (2013): 158–171.
Rogalus, Michael. “The Bard, the Knave and Sir Walter: Adapting a Modern Cult
classic into a Neo-Shakespearean Stage Play.” In Fan Phenomena: “The Big
Lebowski,” edited by Zachary Ingle, 5–7. London: Intellect, 2014.
Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural
Production. Amsterdam: Amsterdam University Press, 2011.
Schmelling, Sarah. Ophelia Joined the Group Maidens Who Don’t Float: Classic
Lit Signs on to Facebook. New York: Plume, 2009.
―. Personal email communication. 22 December 2016.
“The Backstory: The Compleat History of a Viral Phenomenon (Abridged).” Official
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2016. www.runleiarun.com/lebowski/viral.shtml.
Ulrich, Eugene. “The Notion and Definition of Canon.” In The Canon Debate, edited by
Lee M. McDonald and James A. Sanders, 21–35. Peabody, MA: Hendrickson, 2002.
Voigts-Virchow, Eckart. Introduction to Media Studies. Stuttgart: Klett, 2005.
―. “Anti-Essentialist Versions of Aggregate Alice: A Grin without a Cat.” In Translation and Adaptation in Theatre and Film, edited by Katja Krebs, 63–77. New
York: Routledge, 2013.
“William Shakespeare’s Star Wars.” Wookieepedia: The “Star Wars” Wiki. Last modified
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William_Shakespeare%27s_Star_Wars.
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book/william-shakespeares-star-wars-trilogy.
Williams, Raymond. Television: Technology and Cultural Form. 2 nd ed. London:
Routledge, 1990.
AdAptAtion in the Age of MediA ConvergenCe
McCracken, Ellen. “Expanding Genette’s Epitext/Peritext Model for Transitional
Electronic Literature: Centrifugal and Centripetal Vectors on Kindles and iPads.”
Narrative 21, no. 1 (2013): 105–124.
McGann, Jerome. A Critique of Modern Textual Criticism. Chicago: University of
Chicago Press, 1983.
Nottingham-Martin, Amy. “Thresholds of Transmedia Storytelling: Applying
Gérard Genette’s Paratextual Theory to The 39 Clues Series for Young Readers’. In
Examining Paratextual Theory and its Applications in Digital Culture, edited by
Nadine Desrochers and Daniel Apollon, 287–312. Hershey, PA: IGI Global, 2014.
“Pride and Prejudice and Zombies: The Interactive eBook App.” Product page on
QuirkBooks.com. Accessed November 22, 2016. Accessed February 15, 2019.
www.quirkbooks.com/app/ppzapp.
Poore, Benjamin. “Sherlock Holmes and the Leap of Faith: The Forces of Fandom
and Convergence in Adaptations of the Holmes and Watson Stories.” Adaptation
6, no. 2 (2013): 158–171.
Rogalus, Michael. “The Bard, the Knave and Sir Walter: Adapting a Modern Cult
classic into a Neo-Shakespearean Stage Play.” In Fan Phenomena: “The Big
Lebowski,” edited by Zachary Ingle, 5–7. London: Intellect, 2014.
Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural
Production. Amsterdam: Amsterdam University Press, 2011.
Schmelling, Sarah. Ophelia Joined the Group Maidens Who Don’t Float: Classic
Lit Signs on to Facebook. New York: Plume, 2009.
―. Personal email communication. 22 December 2016.
“The Backstory: The Compleat History of a Viral Phenomenon (Abridged).” Official
website of Adam Bertocci’s Two Gentlemen of Lebowski. Accessed November 22,
2016. www.runleiarun.com/lebowski/viral.shtml.
Ulrich, Eugene. “The Notion and Definition of Canon.” In The Canon Debate, edited by
Lee M. McDonald and James A. Sanders, 21–35. Peabody, MA: Hendrickson, 2002.
Voigts-Virchow, Eckart. Introduction to Media Studies. Stuttgart: Klett, 2005.
―. “Anti-Essentialist Versions of Aggregate Alice: A Grin without a Cat.” In Translation and Adaptation in Theatre and Film, edited by Katja Krebs, 63–77. New
York: Routledge, 2013.
“William Shakespeare’s Star Wars.” Wookieepedia: The “Star Wars” Wiki. Last modified
October 7, 2016. Accessed February 15, 2019. http://starwars.wikia.com/wiki/
William_Shakespeare%27s_Star_Wars.
“William Shakespeare’s Star Wars Trilogy: The Royal Imperial Boxed Set.” Product
page on QuirkBooks.com. Accessed November 22, 2016. www.quirkbooks.com/
book/william-shakespeares-star-wars-trilogy.
Williams, Raymond. Television: Technology and Cultural Form. 2 nd ed. London:
Routledge, 1990.