Contents
Jewellery Between Product and Experience: Luxury
in the Twenty-First Century . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1
Alba Cappellieri, Livia Tenuta, and Susanna Testa
Sustainable Luxury, Craftsmanship and Vicuna Poncho . . . . . . . . . . . . 25
Roxana Amarilla, Miguel Ángel Gardetti, and Marisa Gabriel
Unwritten: The Implicit Luxury . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Cindy Lilen Moreno Biec
The Artification of Luxury: How Art Can Affect Perceived Durability
and Purchase Intention of Luxury Products . . . . . . . . . . . . . . . . . . . . . . 61
Matteo De Angelis, Cesare Amatulli, and Margherita Zaretti
Lasting Luxury: Arts and Crafts with Xia Bu 夏布, a Traditional
Handloomed Ramie Fabric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Ying Luo
Luxury Craftsmanship as an Alternative to Building Social Fabric
and Preserving Ancestral Knowledge: A Look at Colombia . . . . . . . . . . 101
Alejandra Ospina and Ana López
Crafting Luxury with ‘More-ish’ Qualities at the YSL Museum:
An Organic Approach . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Annette Condello
ix