Jewellery Between Product and Experience: Luxury …
23
4. The Power of Communication: From Exclusivity to Inclusion by Prof. Livia
Tenuta.
2. Conclusions by Prof. Livia Tenuta.
Bibliography
1. Bolton A (2016) Manus x Machina: fashion in an age of technology. The Metropolitan Museum
of Art, New York
2. Brun A (2019) Ecco perché il lusso, quello vero, è una cosa buona e sostenibile. ilsole24ore.com.
Availabe at: https://www.ilsole24ore.com/art/ecco-perche-lusso-quello-vero-e-cosa-buona-esostenibile-ABpoXcmB?refresh_ce=1
3. Cappellieri A (2016) Brilliant!. The Futures of Italian Jewellery, Corraini Edizioni, Mantova
4. Cappellieri A, Tenuta L, U˘ gur Yavuz S (2017) The role of design for the brand identity of
jewellery. In: Thiene WM (ed) Luxusmarken-management. Springer Gabler, Germany
5. Carson R (1962) Silent Spring. Houghton Mifflin, Boston, Massachusetts, USA
6. Castells M (2000) The rise of the network society. Blackwell Pub. Blackwell Publishers, Inc.
Cambridge, MA
7. Dubois D (2017) Digital and social strategies for luxury brands. Springer, Fachmedien,
Wiesbaden, Germany. https://doi.org/10.1007/978-3-658-09072-2
8. Finessi B (2014) Il design italiano oltre la crisi. Autarchia, austerità, autonomia. Catalogo della
mostra, VII Edizione della Triennale di Milano. Corraini Edizioni, Mantova
9. Guilbault L, Kent S (2019) Kering Chief to Present Industry Sustainability Pact to G7. businessoffashion.com. Available at: https://www.businessoffashion.com/articles/news-analysis/
kering-chief-to-present-industry-sustainability-pact-to-g7
10. Karaosman H (2019) La moda di lusso deve promuovere una gestione etica e ambientale. In:
Bettoni G, Natalini AS, Ricci S, Sozzani Maino S, Spadafora M (eds) Sustainable thinking.
Mondadori Electa, Florence, Italy
11. Maslow A (1954) Motivation and personality. Harper & Brothers, New York, NY
12. Okonkwo U (2009) Sustaining the luxury brand on the Internet. Journal of Brand Management.
16:302–310. https://doi.org/10.1057/bm.2009.2
13. Rubinstein H, Griffiths C (2001) Branding matters more on the Internet. J Brand Manag 8:394–
404. https://doi.org/10.1057/palgrave.bm.2540039
14. Sbordone MA (2012) Discronie. Fenomeni del contemporaneo nella Moda e nel Design, Alinea
Editrice, Firenze, Italy
15. Silverstein MJ, Fiske N (2003) Luxury for the masses. Harvard Bus Rev 81(4):48–57, 121
16. Srai JS et al (2016) Distributed manufacturing: scope, challenges and opportunities. Int J Prod
Res 54(23):6917–6935. ISSN 0020-7543
17. Tenuta L (2020) La moda nell’era digitale. Nuovi prodotti, nuovi processi e nuovi servizi /
New Products, New Processes and New Services. Aracne ISBN 978-88-255-3112-1
18. Testa S (2019) FashionTech. Body Equipment, Digital Technologies and Interaction. Universitas Studiorum, Mantua (MN), Italy ISBN 978-88-3369-057-5
23
4. The Power of Communication: From Exclusivity to Inclusion by Prof. Livia
Tenuta.
2. Conclusions by Prof. Livia Tenuta.
Bibliography
1. Bolton A (2016) Manus x Machina: fashion in an age of technology. The Metropolitan Museum
of Art, New York
2. Brun A (2019) Ecco perché il lusso, quello vero, è una cosa buona e sostenibile. ilsole24ore.com.
Availabe at: https://www.ilsole24ore.com/art/ecco-perche-lusso-quello-vero-e-cosa-buona-esostenibile-ABpoXcmB?refresh_ce=1
3. Cappellieri A (2016) Brilliant!. The Futures of Italian Jewellery, Corraini Edizioni, Mantova
4. Cappellieri A, Tenuta L, U˘ gur Yavuz S (2017) The role of design for the brand identity of
jewellery. In: Thiene WM (ed) Luxusmarken-management. Springer Gabler, Germany
5. Carson R (1962) Silent Spring. Houghton Mifflin, Boston, Massachusetts, USA
6. Castells M (2000) The rise of the network society. Blackwell Pub. Blackwell Publishers, Inc.
Cambridge, MA
7. Dubois D (2017) Digital and social strategies for luxury brands. Springer, Fachmedien,
Wiesbaden, Germany. https://doi.org/10.1007/978-3-658-09072-2
8. Finessi B (2014) Il design italiano oltre la crisi. Autarchia, austerità, autonomia. Catalogo della
mostra, VII Edizione della Triennale di Milano. Corraini Edizioni, Mantova
9. Guilbault L, Kent S (2019) Kering Chief to Present Industry Sustainability Pact to G7. businessoffashion.com. Available at: https://www.businessoffashion.com/articles/news-analysis/
kering-chief-to-present-industry-sustainability-pact-to-g7
10. Karaosman H (2019) La moda di lusso deve promuovere una gestione etica e ambientale. In:
Bettoni G, Natalini AS, Ricci S, Sozzani Maino S, Spadafora M (eds) Sustainable thinking.
Mondadori Electa, Florence, Italy
11. Maslow A (1954) Motivation and personality. Harper & Brothers, New York, NY
12. Okonkwo U (2009) Sustaining the luxury brand on the Internet. Journal of Brand Management.
16:302–310. https://doi.org/10.1057/bm.2009.2
13. Rubinstein H, Griffiths C (2001) Branding matters more on the Internet. J Brand Manag 8:394–
404. https://doi.org/10.1057/palgrave.bm.2540039
14. Sbordone MA (2012) Discronie. Fenomeni del contemporaneo nella Moda e nel Design, Alinea
Editrice, Firenze, Italy
15. Silverstein MJ, Fiske N (2003) Luxury for the masses. Harvard Bus Rev 81(4):48–57, 121
16. Srai JS et al (2016) Distributed manufacturing: scope, challenges and opportunities. Int J Prod
Res 54(23):6917–6935. ISSN 0020-7543
17. Tenuta L (2020) La moda nell’era digitale. Nuovi prodotti, nuovi processi e nuovi servizi /
New Products, New Processes and New Services. Aracne ISBN 978-88-255-3112-1
18. Testa S (2019) FashionTech. Body Equipment, Digital Technologies and Interaction. Universitas Studiorum, Mantua (MN), Italy ISBN 978-88-3369-057-5