550
Temptation in the Garden of Eden,”
18
which conforms, in its human way, to what
Richard Le Gallienne described as “the wild end” as opposed to his “home end”
which “is the real garden … the end where you take tea in a shady corner of the
18 See detail on p. 9 of The Enchanted Garden – Images Of Delight, by Bryan Holme, Oxford
University Press, New York, 1982. See also, the many dozens of paradise scenes by Savery in Kurt
J. Müllenmeister’s Roelant Savery, Die Gemälde Mit Kritischem Oeuvrekatalog, Luca Verlag
Freren, 1988; See also, The Garden Of Eden – The Botanic Garden and the Re-Creation of
Paradise, by John Prest, Yale University Press, New Haven, Connecticut and London, 1981, particularly p. 45, with its reproduction of The Garden at Leyden from P. Paaw’s Hortus publicus
acadmiae Lugdunum-Batavae, 1601.
Fig. 58.2 Illustration by Wenceslas Hollar of Virgil’s “Georgics IV,” From The Works of Virgil,
Translated by John Dryden, Second Edition, Printer Jacob Tonson, London, 1698. (Private
Collection). (Photo © M.C. Tobias)
58 Metaphysical Landscapes
Temptation in the Garden of Eden,”
18
which conforms, in its human way, to what
Richard Le Gallienne described as “the wild end” as opposed to his “home end”
which “is the real garden … the end where you take tea in a shady corner of the
18 See detail on p. 9 of The Enchanted Garden – Images Of Delight, by Bryan Holme, Oxford
University Press, New York, 1982. See also, the many dozens of paradise scenes by Savery in Kurt
J. Müllenmeister’s Roelant Savery, Die Gemälde Mit Kritischem Oeuvrekatalog, Luca Verlag
Freren, 1988; See also, The Garden Of Eden – The Botanic Garden and the Re-Creation of
Paradise, by John Prest, Yale University Press, New Haven, Connecticut and London, 1981, particularly p. 45, with its reproduction of The Garden at Leyden from P. Paaw’s Hortus publicus
acadmiae Lugdunum-Batavae, 1601.
Fig. 58.2 Illustration by Wenceslas Hollar of Virgil’s “Georgics IV,” From The Works of Virgil,
Translated by John Dryden, Second Edition, Printer Jacob Tonson, London, 1698. (Private
Collection). (Photo © M.C. Tobias)
58 Metaphysical Landscapes