216 Miri (Margaret) Raven and Daniel Robinson
References
AIATSIS. (2012). Guidelines for Ethical Research in Australian Indigenous Studies. http://
aiatsis.gov.au/sites/default/files/docs/research-and-guides/ethics/gerais.pdf
AIATSIS. (2020). AIATSIS Code of Ethics for Aboriginal and Torres Strait Islander Research.
https://aiatsis.gov.au/sites/default/files/2020-10/aiatsis-code-ethics.pdf
Al Rashid, M. H., Majumder, S., Mandal, V., Mandal, S. C., & Thandavarayan, R. A.
(2019). In Search of Suitable Extraction Technique for Large Scale Commercial Production of Bioactive Fraction for the Treatment of Diabetes: The Case Diospyros
Melanoxylon Roxb. Journal of Traditional and Complementary Medicine, 9(2), 106–118.
Albanese, R., Dacin, M. T., & Harris, I. C. (1997). Agents as Stewards. The Academy of
Management Review, 22(3), 609–611.
Argumedo, A., Asociación ANDES, Potatoe Park Communities, & IIED. (2011).
Community Biocultural Protocols. Building Mechanisms for Access and Benefit Sharing among
the Communities of Potato Park basd on Customary Quechua Norms. International Institute
for Environment and Development (IIED). http://pubs.iied.org/G03168.html
Arjjumend, H. (2018). Recognition of Customary Law and Institutions and Community
Protocols of Indigenous People in Domestic ABS Legislation or Policies in Accordance
with the Provisions of Nagoya Protocol. Journal of Vasyl Stefanyk Precarpathian National
University, 5(2), 67–82.
Arthur, B., & Morphy, F. (Eds.). (2019). Macquarie Atlas of Indigenous Australia. Macquarie
University.
Arthurs, J. D., & Busenitz, L. W. (2003). The Boundaries and Limitations of Agency
Theory and Stewardship Theory in the Venture Capitalist/Entrepreneur Relationship.
Entrepreneurship, Theory and Practice, 28(2), 145–162.
Australia Council for the Arts. (2007a). Music: Protocols for Producing I ndigenous Australian Music. http://www.australiacouncil.gov.au/about/protocols-for-working-withindigenous-artists/
Australia Council for the Arts. (2007b). Visual Arts: Protocols for Producing Indigenous Australian Visual Arts. http://www.australiacouncil.gov.au/about/protocols-for-workingwith-indigenous-artists/
Bavikatte, K., & Robinson, D. (2011). Towards a People’s History of the Law:
Biocultural Jurisprudence and the Nagoya Protocol on Access and Benefit Sharing.
Law, Environment and Development Journal, 7(1), 35–51. http://www.lead-journal.org/
content/11035.pdf
Berkes, F., & Berkes, M. K. (2009). Ecological Complexity, Fuxxy Logic, and Holism in
Indigenous Knowledge. Futures, 41(1), 6–12.
Boer, B. (Ed.). (1996). Environmental Law in the South Pacific. South Pacific Regional
Environment Programme and IUCN Environmental Law Centre. IUCN – The
World Conservation Union.
Bowrey, K. (2006). Alternative Intellectual Property?: Indigenous Protocols, Copyleft
and New Juridifications of Customary Practices. Macquarie Law Journal, 6, 65–95.
http://www.austlii.edu.au/au/journals/MqLJ/2006/6.html
Carpenter, K. A., Katyal, S. K., & Riley, A. R. (2009). In Defense of Property. The Yale
Law Journal, 118(6), 1022–1125.
Carter, J. L. (2010). Protocols, Particularities, and Problematising Indigenous
‘engagement’ in Community-Based Environmental Management in settled Australia.
The Geographical Journal, 176(3), 199–213.
Précédent

- 253/381

Suivant